After the Star Wars Holiday Special, Robocop 3, Freddy Got Fingered, and Yoga Hosers, we’ve built up a good amount of reviews for bad movies. Usually its because one of us is sadistic and feels like making the other endure the pain of an awful film, but every once in a while the internet is wrong and we find a new favorite (here’s looking at you, Catwoman). Join us to find which side of the bad quality coin this falls on: guilty pleasure or guilty of viewing.
The week in which Obamacare is dying, LA continues to get sports teams, the circus will never come to town again, Amazon introduces its own Anime Prime Channel, Cannes is admitting TV (just as The Coen Brothers jump in), and Infinity War and DC get more enlisters. Meanwhile, I share my addiction to Games Done Quick, finally beat Resident Evil 6, and caught the first episode of Netflix’s Series of Unfortunate Events; while Steve saw the remake of The Blob, Scorcese’s Silence, and Patriot’s Day. Plus, TwitchCon, Sony Pictures’s CEO jumping to Snap Inc., Nintendo Switch, Youtube, George Lucas $1 Billion museum, and Starcade getting a “retro-boot.”
It took us forever to review one of Paul Verhoeven’s flicks, so I thought it would be fun to follow it up immediately with the project released before it. I could describe the experimental nature of the production of this 2012 release, but you’ll probably get a bigger kick listening to this episode with no further introduction. Suffice to say, if any recording defines our different critical styles, its this one.
The week in which CES and the Golden Globes take over, IMAX begins rolling out its VR business at the perfect time, Terrence Malick’s next is going to SXSW, and big news about Aquaman and Kevin Smith. I review The Bronze, Train to Busan, Now You See Me 2, and Sonic & All-Stars Racing Transformed; while Steve shares thoughts Bitter Rice, Nerve, and A Monster Calls. Plus, the internet of things to come (featuring digital assistants), our continued views on technology and millennials, Intel’s continued VR push including hand tracking and “merged reality,” HTC’s Vive Tracker and subscription model, Linden Lab’s Sansar, Jason Segel, and George Clooney’s return to TV.
We’ve started the year off with a fascinating thriller which a spoiler-free review sadly doesn’t do justice for, but as luck would have it, we have a separate show (this one) made for situations such as these. There’s a lot to ponder in this mind fuck of a rape flick; join us as we try to make sense of it all while praising its enigma.
If the name Paul Verhoeven doesn’t mean anything to you, chances are you’ve never thought about our site’s branding. Robocop is one of those films that just gets me, so finally having the chance to not only catch it’s director’s latest work, but also review something of his for the first time, was a special treat for us. Given the nature of this flick, we are mum on details, but you can tune into A Few Dollars More for the juicier conversation.
We’ve featured films from revered directors on this show, but few as prestigious or hard working as Martin Scorsese. This is his first real movie, the chapter that began it all, a coming of age mafioso hang out flick, that premieres much of the style he would later master in Goodfellas and Casino. Despite its flaws, this slice of New Hollywood is an interesting adventure through the neighborhood of the filmmaker when he still had the angst of youth rushing through him.