The episode in which I try to sell you on supporting us via Patreon thru being able to witness me piss my pants in VR horror, Hulu keeps building its library up, James Wan is making a Smart House movie, James Gunn is returning for Guardians of the Galaxy Vol. 3, Captain Marvel has found a directing duo, and Fox dated a ton of projects, including Avatar sequels. Plus, Facebook’s new 8K VR camera and Social app, Ridley Scott’s VR production arm, Sony figuring out vertical integration, the latest in HDR advancements, some fun Netflix numbers, the battle for Bond 25, and the SNES Classic Edition.
We sadly missed Chan Wook-Park’s latest offering in theaters, but thanks to the modern state of cinema, were gifted a free screening as part of our Amazon Prime memberships. There’s a lot to say about this darkly comedic, erotic thriller, especially as counter programming to our last episode, but what it comes down to is #IdBuyThatForADollar. Steve also rewatched the Disney Channel Original Movie, Phantom of the Megaplex (32:10) while I give my early impressions of Ready at Dawn’s Deformers (36:52) and Garfunkel and Oates: Trying to Be Special (43:21).
Given that I picked Cheech and Chong last year for 4/20, Steve naturally thought this Pauly Shore vehicle was my stoner duo follow up, but Bio-Dome is through and through a celebration of Earth Day. I strongly defend this “worst film of all time” nominee in the episode and challenge any critic, or wannabe, to listen to my thoughts and give this underrated Generation X, buddy comedy a shot.
The episode in which two weeks have passed since our last recording and I have open with a horror story to explain why, we mourn Don Rickles and Charlie Murphy, MGM joins the vertical integration party, Cannes adds TV and VR content + a Palme D’or race filled with streaming titles, and my pitch to Universal for where Fast and the Furious goes next. Lots of news on upcoming projects, especially superheroes, Adam McKay, Tim Burton, and Labyrinth, how Amazon is funding its space exploration, and conversation on how our podcast makes film viewing seem like work. Plus, Facebook’s engulfing of Oculus, Netflix’s push for making Hollywood an actual movie town again, YouTube TV details/evolution of cord cutting, furthered marrying of media brands, and Jay-Z’s obnoxious battle for streaming exclusivity especially against Disney’s apparent lack of interest.
We’ve been nice overall when it comes to sharing our opinions of Adam Sandler’s recent offerings, not seeing the point in beating a dying horse, but after two hiccups on Netflix, Happy Madison has finally delivered something totally likeable. When that conversation trails off we split hairs over the Thor Ragnarok trailer (27:16) before doing a live reaction to the Star Wars Battlefront 2 reveal (33:51), followed by my showstopping Goodwill movie haul (37:46) and impressions of Kendrick Lamar’s DAMN (44:17). Finally Steve caught Poltergeist in 70mm (48:58) and Gods of Egypt (51:24), while I saw The Accountant (55:29) and a double bill of We Are the Best and Los Punks (59:23).
We return to the land of Jewison just in time for the second coming of our Easter themed spectacular. Come for Steve’s song of an opening line, true to this dialogue absent 70s rock opera, stay for our discussion of my trip to Israel, why Superman is a better version of the Jesus story, and this film’s connection to Along Came Polly.
In all six episodes preceding this one we planned the spoiler/in depth discussion in advance, but this conversation was so heated we naturally got into it right in the middle of our standard review. The internet is split on Charlie McDowell’s metaphysical/spiritual journey, and so are we. Join us as we go for each other’s throats over our views of what makes a compelling movie.