Two Cents

Two Cents 095: Welcome to the Amazon

The episode in which we get off to a slow start, Google acquires VR gurus Owlchemy Labs, Amazon introduces the Echo Show and Prime Live Events, Wanda’s Legendary loses another figurehead, and Amazon Prime Video has landed 40 SXSW selections. In bigger news, Cannes changes their criteria for festival selections after streaming titles have joined the Palme d’Or race and Microsoft unveils their “mixed reality” controllers. Plus, the need for VR standards, vertical cinema, contemporary films’ monochromatic agenda, Tupac movies, Donald Glover’s animated FXX Deadpool show, classical film theory, and Judge Dredd.

Dollar Reviews

Dollar Reviews 038: Captain Fantastic

We begin with the hippie starring, hipster targeted, family road trip, philosophical drama, Captain Fantastic before I move onto actual superhero fare Guardians of the Galaxy Vol. 2 (28:36) and M. Night Shyamalan’s Split and Unbreakable (46:34). Next, I share my PSVR experiences with Until Dawn: Rush of Blood (55:38) and puzzler Statik (57:53). Meanwhile Steve caught James Ponsoldt’s The Circle (1:01:13), Free Fire (1:20:00), and The Accountant (1:21:34). Finally, I share the TV I’ve been watching lately and my best Goodwill find to date: the $3 recliner (1:24:57).

Two Cents

Two Cents 088: Feline Like Something Mew

The episode in which I try to keep this show alive by dumping Penny Thoughts back onto Dollar Reviews (and doing that weekly again via streaming titles), I make my first retractions, Superman joins Mission: Impossible, Fandango takes aim at Mondo, and Sony says goodbye to the PS3/hello again to VR as more join the fray. Steve caught up on The Edge of Seventeen, Raw, and 2014’s Beauty and the Beast; while I was enamored by Kedi, pumped out Drake’s More Life, experienced Step Up 3D within PSVR, and finally beat Sly Cooper. More importantly, Sony is making a Venom movie, Warner Bros is rebooting The Matrix, Fox is remaking The Fly, and Netflix is re-sharting pan and scan.

Two Cents

Two Cents 087: Non-Sexism is the New Sexism

The episode in which daylight savings just began so we are a day late, Ghost in the Shell is getting an awesome Japanese dub, we predict the futures of Blumhouse and Disney’s live-reactions, La La Land goes on a world tour, Ridley Scott wants more Xenomorph flicks, and Avatar 2 has been delayed yet again. I finally caught X-Men: Apocalypse, share my trip to the New Wave Bar, continue my descent into Lego Dimensions, and give a taste of PSVR 3D Blu-ray playback. Also, Camarada brings 3D recording to all Android devices, Oculus continues blurring VR’s future, IMDb’s F-rating for female projects, Time Warner expands its streaming to animation, our take on videogame adaptations, and the slate of 2017 blockbusters.

Two Cents

Two Cents 085: Oscars So WTF

The episode in which our hero from Bulworth and Dick Tracy finds himself in a sticky situation, the passing of Bill Paxton, the state of Playstation VR, Hellboy, Nightwing, and Devon Sawa?! Steve caught the apparently similar Get Out and A Cure for Wellness, while I have had HEALTH’s Disco 3 on repeat while exploring Thumper (PSVR).  Plus, Netflix looking very Bright (so we try to calculate its money pool), 5G tests are coming this year, and VR in space!

Debt to Cinema

Debt to Cinema 071: Nine Lives (2005)

Film is revered as the art form most capable of mimicking the wonder of life, but this anthology of nine interconnected stories told in single takes by Rodrigo Garcia raises the bar. The surreal, and often dark tone these snapshots capture makes for a troubling viewing experience, but what better way to champion strong female leads than with subject matter rarely seen on screen. This might not be a perfect exercise of form over function, but it is; however, an unforgettable journey into the lives of Los Angeleno women #IdBuyThatForADollar

Debt to Cinema

Debt to Cinema 069: Tricked

It took us forever to review one of Paul Verhoeven’s flicks, so I thought it would be fun to follow it up immediately with the project released before it. I could describe the experimental nature of the production of this 2012 release, but you’ll probably get a bigger kick listening to this episode with no further introduction. Suffice to say, if any recording defines our different critical styles, its this one.