Having done the UK proud and Canadian manga fans one better, what has Edgar Wright brought to musically inclined getaway drivers of the South? #SilverDollar – I also played plenty of rhythm games in our month long absence headlined by DJ Hero (27:46), went to the cinema for Captain Underpants (31:47) and Transformers: The Last Knight (34:30) in 3D, and stayed home for Adam Sandler’s The Cobbler (43:17). Meanwhile, Steve caught Cars 3 also in three dimensions (52:03), Collateral Beauty (55:10), and The Girl on the Train (59:37), before I close with my many Goodwill finds featuring an ad for the org (1:03:42).
The episode in which 100 being the ending seems more and more realistic, lots of tryhard social network lamestars got dupped by Ja Rule and his doomed Bahamian luxury music outing and the Seth Rogen/Lonely Island flick that might share a similar premise, we try to make sense of unions and the impending WGA strike, lots of Disney flicks get dates, Time Warner’s DC streaming service, and Amazon’s Echo Look. Plus, Jeff Goldblum in Jurassic World 2, Logan going black and white, Night Trap turns 25, M. Night’s Unbreakable sequel, what David Fincher, Damien Chazelle, Ang Lee, and Paul Verhoeven are working on next, Innaritu on VR, Abu Dhabi’s Warner Bros World, social network holidays, and deets on Netflix’s next Adam Sandler flick.
The episode in which I try to sell you on supporting us via Patreon thru being able to witness me piss my pants in VR horror, Hulu keeps building its library up, James Wan is making a Smart House movie, James Gunn is returning for Guardians of the Galaxy Vol. 3, Captain Marvel has found a directing duo, and Fox dated a ton of projects, including Avatar sequels. Plus, Facebook’s new 8K VR camera and Social app, Ridley Scott’s VR production arm, Sony figuring out vertical integration, the latest in HDR advancements, some fun Netflix numbers, the battle for Bond 25, and the SNES Classic Edition.
The episode in which two weeks have passed since our last recording and I have open with a horror story to explain why, we mourn Don Rickles and Charlie Murphy, MGM joins the vertical integration party, Cannes adds TV and VR content + a Palme D’or race filled with streaming titles, and my pitch to Universal for where Fast and the Furious goes next. Lots of news on upcoming projects, especially superheroes, Adam McKay, Tim Burton, and Labyrinth, how Amazon is funding its space exploration, and conversation on how our podcast makes film viewing seem like work. Plus, Facebook’s engulfing of Oculus, Netflix’s push for making Hollywood an actual movie town again, YouTube TV details/evolution of cord cutting, furthered marrying of media brands, and Jay-Z’s obnoxious battle for streaming exclusivity especially against Disney’s apparent lack of interest.
We’ve been nice overall when it comes to sharing our opinions of Adam Sandler’s recent offerings, not seeing the point in beating a dying horse, but after two hiccups on Netflix, Happy Madison has finally delivered something totally likeable. When that conversation trails off we split hairs over the Thor Ragnarok trailer (27:16) before doing a live reaction to the Star Wars Battlefront 2 reveal (33:51), followed by my showstopping Goodwill movie haul (37:46) and impressions of Kendrick Lamar’s DAMN (44:17). Finally Steve caught Poltergeist in 70mm (48:58) and Gods of Egypt (51:24), while I saw The Accountant (55:29) and a double bill of We Are the Best and Los Punks (59:23).
The week in which I talk about going to a wedding and a finding a pet lizard, mourn two CBs and the many deaths to come, Netflix adds four more Adam Sandler movies, Brett Ratner vs Rotten Tomatoes, Bob Iger’s reign continues at Disney, Sony plots more Spidey, and George R.R. Martin is opening a movie studio. Plus, VR spotlight on the After Solitary documentary, Nomadic joins the VR exhibition industry, Oculus needs to change its stripes, MGM is making the jump to Snapchat, the impending shortened cinematic window, and Disney sits out a lot of things including usage of Mickey Mouse.
Everyone has that wacky relative, or literally insane friend who keeps things interesting. Well, what if Nora Ephron wrote and directed what Christmas in the company of an entire group of nuts would be like? Its a mixed bag to put it nicely, which is shocking given the skill of the filmmakers and cast on hand. I may have purchased a copy of this one for 25 cents, but a quarter might have been a little too much.