If you like trashy early 2000s remake horror, have we got an episode for you (especially since we reviewed the original years ago.) While that film is labelled 1981, this is vehemently not classified as 2009, because if you’re not watching it in three dimensions you are basically not watching it all. Perfect for heathens, fans of the CW, or both – but mostly people who can’t stop exploring the tech world’s future by exploring its past.
Leave it to America to make a proudly Parisian film even more French, this Luc Besson romantic thriller bleeds angst and oozes style. Before the two remakes and equally as many American TV adaptations, this is the breakthrough international piece of cinema which made the EuropaCorp president an action impresario and household name #IdBuyThatForADollar
If you’ve never seen this one, you owe it to yourself to watch it as counter programming on Father’s Day like we did. Such a smart script, an even better monster, and the scariest true tale there ever was without being terrifying on screen #IdBuyThatForADollar
Let’s be honest, with the never ending recycle process entertainment goes through, one block of original/remake tandems wasn’t going to last long. Steve apologized in advance for not picking the Universal monster incarnation, but seeing 1999’s/the release of Dark Universe made me want to see the origin of their only true original franchisee #SilverDollar
Of their many monsters, Universal has seemed most interested in keeping The Mummy alive forever. Between this weekend’s Dark Universe re-reboot with Tom Cruise, the original Karloff features, and of course this debt, Stephen Sommer’s turn of the century swashbuckling, treasure seeking, adventure that kicked off a trilogy, it appears opening the sarcophagus is always a good idea #DimeADozen
This episode is a bit of a throwback, primarily as a recall to 2006’s Best Picture winner, The Departed, but also to our remake series earlier this year. The Hong Kong blockbuster, while largely reproduced for American audiences, packages deeper questions in a quicker runtime, making viewing it as a point of origin necessary #IdBuyThatForADollar
Winding up our remake series is the original Fox adaptation of last week’s Cronenberg masterpiece. Despite the Cinemascope, nice color, and general likeness between the two flicks, we found ourselves mostly unkind to this first outing starring Vincent Price. There’s a lot to be said about the power a remake can have and even more about the nature of sequels here, but this version is sadly, proof re-imaginings can be a good thing.
After hearing me mention it so many times in passing, Steve finally got around to catching one of my favorite non-romcoms, which just so happens to be one of the best remakes ever made. Many chalk it up as Cronenberg body horror, or a sci-fi creature feature, but come hear me tell how its truly a flawless tragic romance in disguise #IdBuyThatForADollar
After several weeks of self reflection, and the realization that Two Cents can’t exist in its bloated format forever, Steve and I decided to revive our original show with recent streaming titles. Its only fitting that we would return in this way with Kristen Johnson’s docu-memoir, a Criterion Collection addition from last year available on Amazon Prime about how a life of filming documentaries influences the people involved/the inherent manipulation of reality at play. Also, in Penny Thought’s return to DR I caught Father’s Little Dividend (37:45) and some good magazine articles.
Spring is in the air, weddings are on the rise, and seeing as how my selection was sandwiched between two by Steve related to remakes, I decided to make the best of it and finally watch the original for one of the better updated classics. Tune in to find out if Spencer Tracy is as bankable in the role I’ve always pictured Steve Martin in the second installment of our remake streak.