The episode in which we intro a new segment, Hulu might be producing a shared Stephen King universe show, Amazon’s Costume Quest series(!!!), hiphoptherobot’s early Nintendo Switch delivery, Donald Glover is Simba 2.0, and the first wedding hosted in VR. Steve watched Justice League Dark, Harold Lloyd’s Speedy, and Flyboys; while I caught John Wick Chapter 2, went further into Lego Dimensions, and started Grim Fandango. Plus, IMAX VR’s first Experience Centre, developments in staged VR, and how all three can learn from Japanese arcades, Microsoft bolstering voice recognition, Pewdiepie’s anti-semetic fall from grace, Roman Polanski, Mel Gibson, all telecos now offer unlimited LTE plans, and A Cure For Wellness advertising with fake news.
The week in which we only cover politics via SNL and Shia LaBoeuf, gamers face more delays as E3 goes public, Jay and Silent Bob are getting rebooted, several big directors have new projects, and Star Wars is landing in two big ways. I saw The Lego Batman Movie when I wasn’t busy becoming obsessed with collecting Lego Dimensions or playing Day of the Tentacle Remastered, while Steve caught Vertigo in 70mm and VR treasure, The Lawnmower Man. Plus, Apple, Facebook, and Viacom switch up their TV approaches, Halloween is getting another reboot (but we are excited about it), Jack Nicholson is coming out of hiding, the Terms of Endearment black remake, changes The Academy should make, Oculus is shuddering its demo stations, and the advent of underwater VR.
The episode in which Batfleck leaves the director’s chair, Smodcast turns 10, I forget what week it is, IMDb is abandoning its message boards, directors move around, and The CW’s DC footprint is getting bigger. Steve caught 28 Days Later on 35mm, caught up on Train to Busan, and saw I’m Not Your Negro; while I saw Manchester by the Sea, The Edge of Seventeen, and NBC’s Powerless. Plus, the UC Berkeley violent protest against free speech, Zenimax successfully sued Oculus for stealing their resources, Sony’s Playstation VR gets brighter as Sony Pictures looms in uncertainty, Snapchat grows up, and how Vizio’s spying on you might shake up FCC standards again.
The week in which CES and the Golden Globes take over, IMAX begins rolling out its VR business at the perfect time, Terrence Malick’s next is going to SXSW, and big news about Aquaman and Kevin Smith. I review The Bronze, Train to Busan, Now You See Me 2, and Sonic & All-Stars Racing Transformed; while Steve shares thoughts Bitter Rice, Nerve, and A Monster Calls. Plus, the internet of things to come (featuring digital assistants), our continued views on technology and millennials, Intel’s continued VR push including hand tracking and “merged reality,” HTC’s Vive Tracker and subscription model, Linden Lab’s Sansar, Jason Segel, and George Clooney’s return to TV.
I didn’t exactly see the point in discussing this festival darling at greater length, but I think Steve was secretly hinting my recent romance might lead to an interesting discussion. He was right – join us for a no holds barred breakdown of how this fits in the Musical ouevre, our relationship with love, and ultimately just how splendid this picture is.
The episode in which Skype really tried to fuck our groove up, Kanye is out the hospital/Fidel is still dead, I tell you about my time at Playstation Experience 2016, Netflix finally allows users to download content, an update on Nintendo at Universal Studios, I share reviews on A Case of You, Save the Last Dance, and Sky High while Steve talks The Running Man, Too Late, and finally James Bond which spirals into a saga about 007. Plus, DirecTV Now and Amazon Prime Channels amplifying cord cutting, what zero rated data aka free streaming means for the internet, the importance of Wikipedia, the future of the home video experience revisited, Wanda building itself bigger in Hollywood as tinseltown looks to grow elsewhere, and what conglomeration means to us.
Our second year of this show coincidentally begins with yet another film by Fred Zinnemann – the pair being the only works of his I’ve seen. High Noon is a story about time while this one is a story for all times! If the rest are as good as these two, I’m going to need a bigger wallet #IdBuyThatForADollar