The episode where we try our best to sound energetic, but two years is finally catching up with us, Black Panther comes while a Batman goes, LA unveils an Alamo Drafthouse and a new Xbox, Bethesda and Apple fully embrace VR/AR, and SiriusXM teams up with Pandora. Plus, the continued boycott of Netflix in theaters, more Dark Universe monsters, Sony making family friendly streaming edits, selling a Plame d’Or to finance a movie, and Amazon/Oculus becoming available to all.
The third to last episode where we bring Tyler on one last time to talk Wonder Woman, Adam Wingard filming Godzilla vs King Kong, and where the Animaniacs reboot fits within Time Warner’s streaming entities (especially with Tyler’s OTT streaming trial impressions). I try something new in finding out how all our weekends have gone, talk Nintendo’s online service for the Switch, Walmart training employees for Black Friday with VR, and the Amazon engineer trusting Twitch chat with his life savings.
The episode where I flesh out a future Dollar Reviews podcast during a mock Patreon ad break for Fleshlight (1:11:07), Joss Whedon takes over Justice League duties after a tragedy in the Snyder family, I get alarmed by the shelf life of disasters in the face of Disney escapism, Sony goes down Uncharted territory with Tom Holland and Gina Prince-Bythewood, and Universal unveils its Dark Universe. Plus, Amazon + Steven Soderbergh, VR porn (for the umpteenth time), the future of festival ticketing, and creating movies via breakout tweets.
We begin with the hippie starring, hipster targeted, family road trip, philosophical drama, Captain Fantastic before I move onto actual superhero fare Guardians of the Galaxy Vol. 2 (28:36) and M. Night Shyamalan’s Split and Unbreakable (46:34). Next, I share my PSVR experiences with Until Dawn: Rush of Blood (55:38) and puzzler Statik (57:53). Meanwhile Steve caught James Ponsoldt’s The Circle (1:01:13), Free Fire (1:20:00), and The Accountant (1:21:34). Finally, I share the TV I’ve been watching lately and my best Goodwill find to date: the $3 recliner (1:24:57).
The episode in which we find a new sense of purpose since we now have a Patreon supporter (!!!), Annapurna continues to make groundbreaking moves, Universal is adapting Gears of War, Hellboy is getting a reboot, and HBO is leaving Amazon Prime while working on Game of Thrones spinoffs. In bigger news (00:42:00), Charter joins Comcast in the quest for full communication exposure (via wireless), Hulu with Live TV is finally a thing, YouTube is making free shows with big stars, Twitter lands a plethora of live content, and what this all means in our evolving digital landscape. Plus, cheap beer, a Danny DeVito/Jeff Goldblum Amazon comedy, physical vs digital media collections, and Oculus takes one further step away from VR dominance (1:40:00).
The episode in which The Academy begins fixing its accountability problem, Samsung makes a big splash with the Galaxy S8, Joss Whedon/Aaron Sorkin superhero rumors, Blumhouse may adapt Five Nights at Freddy’s, I share my breakthrough VR experience with Werewolves Within, Palmer Luckey has left Facebook/Oculus, Venice Film Festival fully embraces virtual reality. Plus the fake Seth Rogen/Evan Goldberg script that floated around town, my continued vendetta against Lee Daniels’s Terms of Endearment remake/thoughts on remake culture, and the evolution of Amazon/Twitch programming, especially versus Netflix.
The episode in which daylight savings just began so we are a day late, Ghost in the Shell is getting an awesome Japanese dub, we predict the futures of Blumhouse and Disney’s live-reactions, La La Land goes on a world tour, Ridley Scott wants more Xenomorph flicks, and Avatar 2 has been delayed yet again. I finally caught X-Men: Apocalypse, share my trip to the New Wave Bar, continue my descent into Lego Dimensions, and give a taste of PSVR 3D Blu-ray playback. Also, Camarada brings 3D recording to all Android devices, Oculus continues blurring VR’s future, IMDb’s F-rating for female projects, Time Warner expands its streaming to animation, our take on videogame adaptations, and the slate of 2017 blockbusters.