Another holiday, another killing joke about the horrors of celebrating the second year of this podcast. Given how dear The Faculty, Scream, and especially Dawson’s Creek are to me, how has this Kevin Williamson script held up 20 years after the fact? Spoiler: There aren’t filmic fireworks, but I definitely appreciate Scary Movie more now.
If you’ve never seen this one, you owe it to yourself to watch it as counter programming on Father’s Day like we did. Such a smart script, an even better monster, and the scariest true tale there ever was without being terrifying on screen #IdBuyThatForADollar
Let’s be honest, with the never ending recycle process entertainment goes through, one block of original/remake tandems wasn’t going to last long. Steve apologized in advance for not picking the Universal monster incarnation, but seeing 1999’s/the release of Dark Universe made me want to see the origin of their only true original franchisee #SilverDollar
Of their many monsters, Universal has seemed most interested in keeping The Mummy alive forever. Between this weekend’s Dark Universe re-reboot with Tom Cruise, the original Karloff features, and of course this debt, Stephen Sommer’s turn of the century swashbuckling, treasure seeking, adventure that kicked off a trilogy, it appears opening the sarcophagus is always a good idea #DimeADozen
After three reviews for Batman v Superman and my equal amount of screenings for Suicide Squad, Patty Jenkins made a sacrifice to the gods and gave us a DCEU movie the world unanimously loves for all the right reasons #IdBuyThatForADollar. We fill out the rest of the episode with our delayed thoughts on Tom Tykwer’s A Hologram for the King (38:45), “Max Landis’s” Mr. Right (44:27), and IFC Midnighter, A Dark Song (58:37).
We begin with the hippie starring, hipster targeted, family road trip, philosophical drama, Captain Fantastic before I move onto actual superhero fare Guardians of the Galaxy Vol. 2 (28:36) and M. Night Shyamalan’s Split and Unbreakable (46:34). Next, I share my PSVR experiences with Until Dawn: Rush of Blood (55:38) and puzzler Statik (57:53). Meanwhile Steve caught James Ponsoldt’s The Circle (1:01:13), Free Fire (1:20:00), and The Accountant (1:21:34). Finally, I share the TV I’ve been watching lately and my best Goodwill find to date: the $3 recliner (1:24:57).
Winding up our remake series is the original Fox adaptation of last week’s Cronenberg masterpiece. Despite the Cinemascope, nice color, and general likeness between the two flicks, we found ourselves mostly unkind to this first outing starring Vincent Price. There’s a lot to be said about the power a remake can have and even more about the nature of sequels here, but this version is sadly, proof re-imaginings can be a good thing.