The episode where we try our best to sound energetic, but two years is finally catching up with us, Black Panther comes while a Batman goes, LA unveils an Alamo Drafthouse and a new Xbox, Bethesda and Apple fully embrace VR/AR, and SiriusXM teams up with Pandora. Plus, the continued boycott of Netflix in theaters, more Dark Universe monsters, Sony making family friendly streaming edits, selling a Plame d’Or to finance a movie, and Amazon/Oculus becoming available to all.
The third to last episode where we bring Tyler on one last time to talk Wonder Woman, Adam Wingard filming Godzilla vs King Kong, and where the Animaniacs reboot fits within Time Warner’s streaming entities (especially with Tyler’s OTT streaming trial impressions). I try something new in finding out how all our weekends have gone, talk Nintendo’s online service for the Switch, Walmart training employees for Black Friday with VR, and the Amazon engineer trusting Twitch chat with his life savings.
The episode where I flesh out a future Dollar Reviews podcast during a mock Patreon ad break for Fleshlight (1:11:07), Joss Whedon takes over Justice League duties after a tragedy in the Snyder family, I get alarmed by the shelf life of disasters in the face of Disney escapism, Sony goes down Uncharted territory with Tom Holland and Gina Prince-Bythewood, and Universal unveils its Dark Universe. Plus, Amazon + Steven Soderbergh, VR porn (for the umpteenth time), the future of festival ticketing, and creating movies via breakout tweets.
We sadly missed Chan Wook-Park’s latest offering in theaters, but thanks to the modern state of cinema, were gifted a free screening as part of our Amazon Prime memberships. There’s a lot to say about this darkly comedic, erotic thriller, especially as counter programming to our last episode, but what it comes down to is #IdBuyThatForADollar. Steve also rewatched the Disney Channel Original Movie, Phantom of the Megaplex (32:10) while I give my early impressions of Ready at Dawn’s Deformers (36:52) and Garfunkel and Oates: Trying to Be Special (43:21).
The episode in which two weeks have passed since our last recording and I have open with a horror story to explain why, we mourn Don Rickles and Charlie Murphy, MGM joins the vertical integration party, Cannes adds TV and VR content + a Palme D’or race filled with streaming titles, and my pitch to Universal for where Fast and the Furious goes next. Lots of news on upcoming projects, especially superheroes, Adam McKay, Tim Burton, and Labyrinth, how Amazon is funding its space exploration, and conversation on how our podcast makes film viewing seem like work. Plus, Facebook’s engulfing of Oculus, Netflix’s push for making Hollywood an actual movie town again, YouTube TV details/evolution of cord cutting, furthered marrying of media brands, and Jay-Z’s obnoxious battle for streaming exclusivity especially against Disney’s apparent lack of interest.
We’ve been nice overall when it comes to sharing our opinions of Adam Sandler’s recent offerings, not seeing the point in beating a dying horse, but after two hiccups on Netflix, Happy Madison has finally delivered something totally likeable. When that conversation trails off we split hairs over the Thor Ragnarok trailer (27:16) before doing a live reaction to the Star Wars Battlefront 2 reveal (33:51), followed by my showstopping Goodwill movie haul (37:46) and impressions of Kendrick Lamar’s DAMN (44:17). Finally Steve caught Poltergeist in 70mm (48:58) and Gods of Egypt (51:24), while I saw The Accountant (55:29) and a double bill of We Are the Best and Los Punks (59:23).
The week in which I talk about going to a wedding and a finding a pet lizard, mourn two CBs and the many deaths to come, Netflix adds four more Adam Sandler movies, Brett Ratner vs Rotten Tomatoes, Bob Iger’s reign continues at Disney, Sony plots more Spidey, and George R.R. Martin is opening a movie studio. Plus, VR spotlight on the After Solitary documentary, Nomadic joins the VR exhibition industry, Oculus needs to change its stripes, MGM is making the jump to Snapchat, the impending shortened cinematic window, and Disney sits out a lot of things including usage of Mickey Mouse.