Let’s be honest, with the never ending recycle process entertainment goes through, one block of original/remake tandems wasn’t going to last long. Steve apologized in advance for not picking the Universal monster incarnation, but seeing 1999’s/the release of Dark Universe made me want to see the origin of their only true original franchisee #SilverDollar
Despite its top billing, Macon Blair’s Melanie Lynskey/Elijah Wood staring Netflix exclusive isn’t the big review this episode, that honor is split between my solo outings with Playstation VR’s Farpoint + Aim Controller (14:57) and Master of None season two (24:15). Meanwhile, Steve missed another chance at catching GotG Vol. 2 in 3D and settled on anime darling, Your Name (31:43) and I close with praise for film podcast 80s All Over (38:27).
Its impossible to avoid political conversations or news items at the time this episode is recorded. Being at the onset of a presidency most Americans disapprove of, rife with fallacies in the news, and a severe distrust for the men and women appointed to govern alongside the latest celebrity turned politician. However, the best way to prevent future bumbles is to study the past, and this document that chronicles why Nixon resigned at the hands of dedicated journalists is the best place to start.
The week in which we only cover politics via SNL and Shia LaBoeuf, gamers face more delays as E3 goes public, Jay and Silent Bob are getting rebooted, several big directors have new projects, and Star Wars is landing in two big ways. I saw The Lego Batman Movie when I wasn’t busy becoming obsessed with collecting Lego Dimensions or playing Day of the Tentacle Remastered, while Steve caught Vertigo in 70mm and VR treasure, The Lawnmower Man. Plus, Apple, Facebook, and Viacom switch up their TV approaches, Halloween is getting another reboot (but we are excited about it), Jack Nicholson is coming out of hiding, the Terms of Endearment black remake, changes The Academy should make, Oculus is shuddering its demo stations, and the advent of underwater VR.
If the name Paul Verhoeven doesn’t mean anything to you, chances are you’ve never thought about our site’s branding. Robocop is one of those films that just gets me, so finally having the chance to not only catch it’s director’s latest work, but also review something of his for the first time, was a special treat for us. Given the nature of this flick, we are mum on details, but you can tune into A Few Dollars More for the juicier conversation.
When going through a tough spot in life, movies that make you feel something are the best medicine. I knew I’d probably like this Best Picture winner, but I didn’t think I would be so enamored. There is so much here, its so lifelike, and seeing Nicholson and McClaine’s affair develop is pure bliss. I loved their characters so much I jokingly asked for a sequel during the episode, turns out they made one. Not sure that flick’s worth the time but this one is #IdBuyThatForADollar
Remember those teen films from your childhood you couldn’t seem to get enough of? Just the title on the TV guide would get you excited. It didn’t matter where you tuned in, just being in the presence of the characters made you feel a certain way. Well, despite how awesome the journey is here, this sadly is one of those films, but one however, that lost its luster along the nostalgia highway.
Topicality is a funny thing in that what is special for a given moment doesn’t always retain its luster. This pick, Steve’s second consecutive selection from Peter Medak, in particular is strange for a non-British audience. Its a quirky, black comedy about politics, but its length and run-on jokes make it hard to recommend. This is one of the few moments where we sacrificed our time so you don’t have to – enjoy!
This film is a different breed, a single night in Berlin, a single girl falling in love, and its told in a single shot. This isn’t a movie, this is cinematic truth. With minor detractions, Sebastian Schipper offers us an illusion of reality that defines genre. If High Noon, Before Sunrise, Birdman, and Unfriended had a baby it still wouldn’t be as beautiful as this glimpse at the future of digital filmmaking #IdBuyThatForADollar
Our second year of this show coincidentally begins with yet another film by Fred Zinnemann – the pair being the only works of his I’ve seen. High Noon is a story about time while this one is a story for all times! If the rest are as good as these two, I’m going to need a bigger wallet #IdBuyThatForADollar