The episode in which I list the many things reporting the news prevents me from doing, Cannes continues its crybaby wanderings, Netflix and Donald Trump are the villains the media prays for, Wanda’s reformation of Legendary and enhanced exhibition business, and the rise of vertical video. In bigger news (56:00), Austin man sues his date for texting during a movie, Hollywood a major hacking target and their lack of action, Google I/O updates including standalone VR and Daydream upgrades, and Zenimax becoming the VR equivalent of a patent troll. Plus, Venom, Resident Evil, Supernatural meets Scooby Doo, social VR hubs becoming industry standard (1:58:00), Ridley Scott’s TNT block, and Mamma Mia 2!
With the Oscars just happening and award season finally coming to a close, Steve thought it would be the perfect time for both of us to watch the first film to win Best Picture. That’s not an entirely accurate description of 1927’s Wings, the silent epic which clung to the majestic camera work afforded to films mid out sound, at the precipice of talkies, but it might be just enough to get you to tune in #IdBuyThatForADollar
The episode in which we continue TrumpWatch2017, Apocalypse Now is becoming a videogame, Square-Enix is doing the same to the Marvel Cinematic Universe, Fox has enlisted Bryan Singer for an in universe X-Men pilot, The Flash stays troubled, Predator sounds amazing, and I tried the Naked Chicken Chalupa. Also, my thoughts on The Founder, Moonlight, SportsBar VR, and Girlschool DJ night; and Steve’s on some Amazon docs, Bone Tomahawk, and I Know Who Killed Me. Plus, AT&T/Time Warner might have competition between Comcast adding cellular lines to its family and Verizon possibly buying Charter Communications, Oscar nominations, the next projects from Jeremy Saulnier and James Ponsoldt, and the first UHD Blu-ray drives are coming to PCs.
The delayed episode in which I ended up finishing things alone, where Trump is in the White House, Sundance is covered in snow, streamers make moves, Hellboy 3 might be coming, AMC Theaters continues its global dominance, Superbowl LI is streaming for free, and I review The London Heist, Black Mirror’s Playtest episode, my VR playtesting gig, and Damien Chazelle’s TCM block. Meanwhile, Steve talks Samurai Cop 2, Hell or High Water, The Magnificent 7 (2016), and Sony’s Passengers. Plus, The Terminator is returning to James Cameron, Legendary lost its CEO, Paramount gets into bed with China, things don’t look good for Sony (across TV, Film, and PSVR), Netflix seduced Jerry Seinfeld, and some VR things to close out the show.
When going through a tough spot in life, movies that make you feel something are the best medicine. I knew I’d probably like this Best Picture winner, but I didn’t think I would be so enamored. There is so much here, its so lifelike, and seeing Nicholson and McClaine’s affair develop is pure bliss. I loved their characters so much I jokingly asked for a sequel during the episode, turns out they made one. Not sure that flick’s worth the time but this one is #IdBuyThatForADollar
Dick Tracy is a peculiar beast – a comic book adaptation and an art film, a promotional tie-in machine and slice of auteur cinema. Everything Warren Beatty, the biggest movie star on the planet at the time, does here from a stylistic standpoint is fascinating, its just a shame its wasted on a generic story.
This week I tried something different, I didn’t watch our selection. Coming out of my whirlwind romance made me reluctant sure, but the last time I viewed this Best Picture winner was with my late grandfather, Barry, and I wasn’t quite ready for a revisit. Instead of technical details I share my recollections from having been in a production at the onset of high school #IdBuyThatForADollar