This episode is a bit of a throwback, primarily as a recall to 2006’s Best Picture winner, The Departed, but also to our remake series earlier this year. The Hong Kong blockbuster, while largely reproduced for American audiences, packages deeper questions in a quicker runtime, making viewing it as a point of origin necessary #IdBuyThatForADollar
Despite how long cinema has been around, deaf/mute societies are one of the few worlds we rarely gain access to. This Ukranian, festival darling not only takes us into one with deft camerawork, but also a matching lack of dialogue. Please experience this neo-silent film for yourself (its on Netflix) before joining our discussion, because this is a unique beast that you shouldn’t have ruined #IdBuyThatForADollar
Always a fan of seeing the worser things in cinema, I’d been meaning to get around to this culturally aborted Lucasfilm/Marvel bomb. As a fan of Waterworld, or better yet, Bio-Dome, how bad could it be? The premise and talent makeup sound quacktastic, but this bizarre, 1980s failure, despite bright moments, is far from being a campy romp.
As a film criticism outlet based almost entirely on the power of conversation, especially via the internet, this Palme d’Or winner raises timeless questions about the privacy of our off-air moments and the type of people possibly listening in. To say this unsung Francis Ford Coppola thriller is great is doing it a disservice by word association, you seriously have to watch this one (or perhaps let it watch you) #IdBuyThatForADollar
We return to the land of Jewison just in time for the second coming of our Easter themed spectacular. Come for Steve’s song of an opening line, true to this dialogue absent 70s rock opera, stay for our discussion of my trip to Israel, why Superman is a better version of the Jesus story, and this film’s connection to Along Came Polly.
In all six episodes preceding this one we planned the spoiler/in depth discussion in advance, but this conversation was so heated we naturally got into it right in the middle of our standard review. The internet is split on Charlie McDowell’s metaphysical/spiritual journey, and so are we. Join us as we go for each other’s throats over our views of what makes a compelling movie.
Netflix releases are hit or miss with people, and that is exactly what Charlie McDowell’s The Discovery is for us, undoubtedly culminating in one of our most heated clashes – which is fitting for a film regarding explorations of the afterlife (check the AFDM for uncensored dialogue). Steve also caught Malick’s Song to Song (27:50) and Gremlins 2 (36:00), while I experienced Ubisoft’s social VR game Werewolves Within (43:20), Sly Cooper 2: Band of Thieves (52:08), and binged on Kendrick Lamar, while sharing my latest Goodwill and LEGO hauls.