If you’ve never seen this one, you owe it to yourself to watch it as counter programming on Father’s Day like we did. Such a smart script, an even better monster, and the scariest true tale there ever was without being terrifying on screen #IdBuyThatForADollar
Let’s be honest, with the never ending recycle process entertainment goes through, one block of original/remake tandems wasn’t going to last long. Steve apologized in advance for not picking the Universal monster incarnation, but seeing 1999’s/the release of Dark Universe made me want to see the origin of their only true original franchisee #SilverDollar
Of their many monsters, Universal has seemed most interested in keeping The Mummy alive forever. Between this weekend’s Dark Universe re-reboot with Tom Cruise, the original Karloff features, and of course this debt, Stephen Sommer’s turn of the century swashbuckling, treasure seeking, adventure that kicked off a trilogy, it appears opening the sarcophagus is always a good idea #DimeADozen
After three reviews for Batman v Superman and my equal amount of screenings for Suicide Squad, Patty Jenkins made a sacrifice to the gods and gave us a DCEU movie the world unanimously loves for all the right reasons #IdBuyThatForADollar. We fill out the rest of the episode with our delayed thoughts on Tom Tykwer’s A Hologram for the King (38:45), “Max Landis’s” Mr. Right (44:27), and IFC Midnighter, A Dark Song (58:37).
This episode is a bit of a throwback, primarily as a recall to 2006’s Best Picture winner, The Departed, but also to our remake series earlier this year. The Hong Kong blockbuster, while largely reproduced for American audiences, packages deeper questions in a quicker runtime, making viewing it as a point of origin necessary #IdBuyThatForADollar
Despite how long cinema has been around, deaf/mute societies are one of the few worlds we rarely gain access to. This Ukranian, festival darling not only takes us into one with deft camerawork, but also a matching lack of dialogue. Please experience this neo-silent film for yourself (its on Netflix) before joining our discussion, because this is a unique beast that you shouldn’t have ruined #IdBuyThatForADollar
Always a fan of seeing the worser things in cinema, I’d been meaning to get around to this culturally aborted Lucasfilm/Marvel bomb. As a fan of Waterworld, or better yet, Bio-Dome, how bad could it be? The premise and talent makeup sound quacktastic, but this bizarre, 1980s failure, despite bright moments, is far from being a campy romp.