The episode where we try our best to sound energetic, but two years is finally catching up with us, Black Panther comes while a Batman goes, LA unveils an Alamo Drafthouse and a new Xbox, Bethesda and Apple fully embrace VR/AR, and SiriusXM teams up with Pandora. Plus, the continued boycott of Netflix in theaters, more Dark Universe monsters, Sony making family friendly streaming edits, selling a Plame d’Or to finance a movie, and Amazon/Oculus becoming available to all.
The third to last episode where we bring Tyler on one last time to talk Wonder Woman, Adam Wingard filming Godzilla vs King Kong, and where the Animaniacs reboot fits within Time Warner’s streaming entities (especially with Tyler’s OTT streaming trial impressions). I try something new in finding out how all our weekends have gone, talk Nintendo’s online service for the Switch, Walmart training employees for Black Friday with VR, and the Amazon engineer trusting Twitch chat with his life savings.
The episode where I flesh out a future Dollar Reviews podcast during a mock Patreon ad break for Fleshlight (1:11:07), Joss Whedon takes over Justice League duties after a tragedy in the Snyder family, I get alarmed by the shelf life of disasters in the face of Disney escapism, Sony goes down Uncharted territory with Tom Holland and Gina Prince-Bythewood, and Universal unveils its Dark Universe. Plus, Amazon + Steven Soderbergh, VR porn (for the umpteenth time), the future of festival ticketing, and creating movies via breakout tweets.
The episode in which I list the many things reporting the news prevents me from doing, Cannes continues its crybaby wanderings, Netflix and Donald Trump are the villains the media prays for, Wanda’s reformation of Legendary and enhanced exhibition business, and the rise of vertical video. In bigger news (56:00), Austin man sues his date for texting during a movie, Hollywood a major hacking target and their lack of action, Google I/O updates including standalone VR and Daydream upgrades, and Zenimax becoming the VR equivalent of a patent troll. Plus, Venom, Resident Evil, Supernatural meets Scooby Doo, social VR hubs becoming industry standard (1:58:00), Ridley Scott’s TNT block, and Mamma Mia 2!
Despite its top billing, Macon Blair’s Melanie Lynskey/Elijah Wood staring Netflix exclusive isn’t the big review this episode, that honor is split between my solo outings with Playstation VR’s Farpoint + Aim Controller (14:57) and Master of None season two (24:15). Meanwhile, Steve missed another chance at catching GotG Vol. 2 in 3D and settled on anime darling, Your Name (31:43) and I close with praise for film podcast 80s All Over (38:27).
The episode in which we get off to a slow start, Google acquires VR gurus Owlchemy Labs, Amazon introduces the Echo Show and Prime Live Events, Wanda’s Legendary loses another figurehead, and Amazon Prime Video has landed 40 SXSW selections. In bigger news, Cannes changes their criteria for festival selections after streaming titles have joined the Palme d’Or race and Microsoft unveils their “mixed reality” controllers. Plus, the need for VR standards, vertical cinema, contemporary films’ monochromatic agenda, Tupac movies, Donald Glover’s animated FXX Deadpool show, classical film theory, and Judge Dredd.
The episode in which 100 being the ending seems more and more realistic, lots of tryhard social network lamestars got dupped by Ja Rule and his doomed Bahamian luxury music outing and the Seth Rogen/Lonely Island flick that might share a similar premise, we try to make sense of unions and the impending WGA strike, lots of Disney flicks get dates, Time Warner’s DC streaming service, and Amazon’s Echo Look. Plus, Jeff Goldblum in Jurassic World 2, Logan going black and white, Night Trap turns 25, M. Night’s Unbreakable sequel, what David Fincher, Damien Chazelle, Ang Lee, and Paul Verhoeven are working on next, Innaritu on VR, Abu Dhabi’s Warner Bros World, social network holidays, and deets on Netflix’s next Adam Sandler flick.