For the first time since 2012, David Junco returns to help us review Mel Gibson’s controversial origin story of the Easter Bunny. Join us for this borderline sacrilegious episode that’s full of so much passion it practically hurts.
Editor Note: Its pretty ironic that the original file was dead, then resurrected on Easter
The episode in which David joins us again, Indiana Jones 5 happens, Netflix rescues The Little Prince and snags Bright, Universal did racial profiling through Facebook to promote Straight Outta Compton, M-Go has become Fandango Now, Redbox might be sold off, Regal is no longer allowing kids into R-rated films, we get deeper on our thoughts of The Screening Room, and breakdown Sony’s GDC news on Playstation VR, Vue, and a rumored PS4 upgrade. Plus, Microsoft’s Actiongram, Twitch going culinary, livestreaming mobile VR content, a movie about Michael Jackson’s chimp, another Obama movie, DC’s The Killing Joke, the Dawn of Justice Director’s Cut, Judge Judy’s salary, and Netflix staying romantic.
P.S. The image is from the We Bare Bears episode “Shush Ninjas” which totes gets us.
Within 24 hours of Netflix’s second season going live I took on the fool’s errand of binging the entire thing for your listening pleasure. We not only talk the season’s merits, but also MCU connections, performances, and Steve’s disdain for kickass action on the small screen. This is our first attempt at mutually reviewing something other than a film, so let us know how we did!
This week Steve finally got me to watch Mark Steven Johnson’s cut of that other Ben Affleck superhero movie everyone always shits on. As a fan of the theatrical cut, I was satisfied with the version I grew up with, but agreed the timing with this month’s related releases was too perfect to pass on.
The week in which Nahneen Kula put out her first album, Steven is way too excited about Daredevil, The Wachowski Siblings are both transwomen now, The Russo Brothers are making a Chinese studio, Kevin Spacey leaves Relativity, Paramount drops The Little Prince, Amazon is adopting Hollywood norms, and the industry might be moving into the living room, while Ang Lee is set to debut his technical marvel (4K/3D/120FPS/HDR). Plus, Rio 2016 is going 8K, TV in VR, Amazon is becoming the new HSN, Harry Styles starring in the next Christopher Nolan flick, filmmaker relationships with the streaming giants, reactions to the new Spidey and Gordon, Where’s Waldo, Nick Cage, and Damien Chazelle’s musical getting an awards release.
Eight years later, and shrouded in just as much mystery, JJ Abrams has unleashed another monster on filmgoers. Allow us to illuminate you on this quasi-sequel while still keeping you in the dark.
Maybe it was because in my Justin Bieber story from Two Cents 035 I was wearing a Teen Wolf shirt, or lycanthropes were on the mind because I’d just seen Universal’s Wolf Man, but I felt like making Steve watch this 80s gem.
The episode in which I was lucky Brennan from Scream 101 Podcast joined me because Steve fell asleep before recording, HBO isn’t sending Game of Thrones screeners out anymore, the 21 Jump Street/Men in Black flick is still a thing, Sony is making a standalone Venom franchise, I talk cool additions to the Amazon Echo line (and Brennan has first hand experiences), and Universal Japan is making a Nintendo Land. Plus, VR is coming to Six Flags and McDonalds, I do my Michael Keaton impression, MAX LANDIS, a WWE sequel to Surf’s Up, and the continuing adventures of Steven Soderbergh’s “retirement.”
Given that #OscarsSoWhite is a thing, its important to remember not every black Best Picture winner is Driving Miss Daisy. We knew we had to see this one eventually, but 2015’s film politics just made it that more appealing.
The episode in which Steve tries to guess the Oscar winners, I give my critique of the ceremony/coverage, stunt performers are lobbying for their own category, #JusticeForFlint did well despite its counter programming, the FBI nabbed one of the screener pirates, we talk about the R-rated comic book movies, China might buy a stake in Paramount, and Netflix will start streaming in HDR. Plus I continue my fascination with VR, especially in terms of new developments (Facebook’s dynamic streaming/Google leveraging Project Tango), Ready Player One found its lead, Fox moves things around, we talk Sam Raimi because he is making World War III, Pacific Rim 2, we talk about Disney movies, Amazon is trying new things, and Netflix has found new talent.