The episode in which we continue TrumpWatch2017, Apocalypse Now is becoming a videogame, Square-Enix is doing the same to the Marvel Cinematic Universe, Fox has enlisted Bryan Singer for an in universe X-Men pilot, The Flash stays troubled, Predator sounds amazing, and I tried the Naked Chicken Chalupa. Also, my thoughts on The Founder, Moonlight, SportsBar VR, and Girlschool DJ night; and Steve’s on some Amazon docs, Bone Tomahawk, and I Know Who Killed Me. Plus, AT&T/Time Warner might have competition between Comcast adding cellular lines to its family and Verizon possibly buying Charter Communications, Oscar nominations, the next projects from Jeremy Saulnier and James Ponsoldt, and the first UHD Blu-ray drives are coming to PCs.
The week in which CES and the Golden Globes take over, IMAX begins rolling out its VR business at the perfect time, Terrence Malick’s next is going to SXSW, and big news about Aquaman and Kevin Smith. I review The Bronze, Train to Busan, Now You See Me 2, and Sonic & All-Stars Racing Transformed; while Steve shares thoughts Bitter Rice, Nerve, and A Monster Calls. Plus, the internet of things to come (featuring digital assistants), our continued views on technology and millennials, Intel’s continued VR push including hand tracking and “merged reality,” HTC’s Vive Tracker and subscription model, Linden Lab’s Sansar, Jason Segel, and George Clooney’s return to TV.
If the name Paul Verhoeven doesn’t mean anything to you, chances are you’ve never thought about our site’s branding. Robocop is one of those films that just gets me, so finally having the chance to not only catch it’s director’s latest work, but also review something of his for the first time, was a special treat for us. Given the nature of this flick, we are mum on details, but you can tune into A Few Dollars More for the juicier conversation.
The episode in which Universal decides the F8 of a franchise, China might change the way videogame loot boxes work, retail is trying to keep Pokemon Go a thing, Will Ferrell is tackling eSports next, the next Cloverfield movie, Dunkirk’s 70mm teaser, Kodak’s reelfilm website, and the Transformers IMAX VR experience. Steve shares thoughts on Nocturnal Animals, The Fourth Man, and the Willard remake, while I talk Fantastic Beasts and Where to Find Them, the Star Wars Battlefront X-Wing VR experience, and Final Fantasy XV in its multimedia entirety. In bigger news, Al Gore is hoping to return to the Oscars and Jimmy Kimmel is joining him, the Global Virtual Reality Association, the lessened worries of the impending merger between AT&T and Time Warner given the larger threat on hand, especially against Amazon’s attempt to kill retail as we know it.
When going through a tough spot in life, movies that make you feel something are the best medicine. I knew I’d probably like this Best Picture winner, but I didn’t think I would be so enamored. There is so much here, its so lifelike, and seeing Nicholson and McClaine’s affair develop is pure bliss. I loved their characters so much I jokingly asked for a sequel during the episode, turns out they made one. Not sure that flick’s worth the time but this one is #IdBuyThatForADollar
Dick Tracy is a peculiar beast – a comic book adaptation and an art film, a promotional tie-in machine and slice of auteur cinema. Everything Warren Beatty, the biggest movie star on the planet at the time, does here from a stylistic standpoint is fascinating, its just a shame its wasted on a generic story.
The week in which nothing much has transpired besides heartbreak, Dave Chappelle is going to host next week’s Saturday Night Live, Fox has renewed The Simpsons up to season 30, another Verhoeven classic is being remade sadly, Wanda continues its media purchases with Dick Clark Productions, Disney bests its box office records, and we come up with the Madea/SAW crossover for Lionsgate. Plus, AT&T is getting sued for collusion, The Flash continues its director woes, we question if Johnny Depp is in lazy mode, Sony is adapting Sonic for the big screen next, and I tiredly try to recite Best Picture winners.