The episode where I flesh out a future Dollar Reviews podcast during a mock Patreon ad break for Fleshlight (1:11:07), Joss Whedon takes over Justice League duties after a tragedy in the Snyder family, I get alarmed by the shelf life of disasters in the face of Disney escapism, Sony goes down Uncharted territory with Tom Holland and Gina Prince-Bythewood, and Universal unveils its Dark Universe. Plus, Amazon + Steven Soderbergh, VR porn (for the umpteenth time), the future of festival ticketing, and creating movies via breakout tweets.
The episode in which I list the many things reporting the news prevents me from doing, Cannes continues its crybaby wanderings, Netflix and Donald Trump are the villains the media prays for, Wanda’s reformation of Legendary and enhanced exhibition business, and the rise of vertical video. In bigger news (56:00), Austin man sues his date for texting during a movie, Hollywood a major hacking target and their lack of action, Google I/O updates including standalone VR and Daydream upgrades, and Zenimax becoming the VR equivalent of a patent troll. Plus, Venom, Resident Evil, Supernatural meets Scooby Doo, social VR hubs becoming industry standard (1:58:00), Ridley Scott’s TNT block, and Mamma Mia 2!
The episode in which we find a new sense of purpose since we now have a Patreon supporter (!!!), Annapurna continues to make groundbreaking moves, Universal is adapting Gears of War, Hellboy is getting a reboot, and HBO is leaving Amazon Prime while working on Game of Thrones spinoffs. In bigger news (00:42:00), Charter joins Comcast in the quest for full communication exposure (via wireless), Hulu with Live TV is finally a thing, YouTube is making free shows with big stars, Twitter lands a plethora of live content, and what this all means in our evolving digital landscape. Plus, cheap beer, a Danny DeVito/Jeff Goldblum Amazon comedy, physical vs digital media collections, and Oculus takes one further step away from VR dominance (1:40:00).
The episode in which I try to sell you on supporting us via Patreon thru being able to witness me piss my pants in VR horror, Hulu keeps building its library up, James Wan is making a Smart House movie, James Gunn is returning for Guardians of the Galaxy Vol. 3, Captain Marvel has found a directing duo, and Fox dated a ton of projects, including Avatar sequels. Plus, Facebook’s new 8K VR camera and Social app, Ridley Scott’s VR production arm, Sony figuring out vertical integration, the latest in HDR advancements, some fun Netflix numbers, the battle for Bond 25, and the SNES Classic Edition.
The episode in which two weeks have passed since our last recording and I have open with a horror story to explain why, we mourn Don Rickles and Charlie Murphy, MGM joins the vertical integration party, Cannes adds TV and VR content + a Palme D’or race filled with streaming titles, and my pitch to Universal for where Fast and the Furious goes next. Lots of news on upcoming projects, especially superheroes, Adam McKay, Tim Burton, and Labyrinth, how Amazon is funding its space exploration, and conversation on how our podcast makes film viewing seem like work. Plus, Facebook’s engulfing of Oculus, Netflix’s push for making Hollywood an actual movie town again, YouTube TV details/evolution of cord cutting, furthered marrying of media brands, and Jay-Z’s obnoxious battle for streaming exclusivity especially against Disney’s apparent lack of interest.
The episode in which Skype really tried to fuck our groove up, Kanye is out the hospital/Fidel is still dead, I tell you about my time at Playstation Experience 2016, Netflix finally allows users to download content, an update on Nintendo at Universal Studios, I share reviews on A Case of You, Save the Last Dance, and Sky High while Steve talks The Running Man, Too Late, and finally James Bond which spirals into a saga about 007. Plus, DirecTV Now and Amazon Prime Channels amplifying cord cutting, what zero rated data aka free streaming means for the internet, the importance of Wikipedia, the future of the home video experience revisited, Wanda building itself bigger in Hollywood as tinseltown looks to grow elsewhere, and what conglomeration means to us.