Once things start, it’s hard to know when, if ever, they’ll truly come to a stop. Some stories are circles, never going anywhere, save the place from which they originated. If you’re wondering if I’m making statements about this film, our long dormant podcast, or the evolved social commentary via Videodrome, just wait for the mental gymnastics this virtual reality trip Cronenberg takes you on #IdBuyThatForADollar
There are certain films out there that escape convention, or defy description, and despite our best attempts across an hour of conversation here, Lars von Trier’s divisive Palme d’Or winning “anti-musical” is one of them. Through its method of filmmaking, stylistic choices, and overall mood, as bleak as it may be, Trier creates a raw document and testament to the power of music and its escapist qualities from even the most tragic parts of life #IdBuyThatForADollar
This week I decided to be a cheap jerk and make Steve catch Adam Sandler’s second Netflix exclusive, The Do-Over, as well as Seth Rogen and Evan Goldberg’s Preacher pilot (22:15). Steve caught the natural header, X-Men: Apocalypse in 3D (32:45) and last year’s Cannes standout, The Lobster (42:12). Finally, I saw another comicbook pilot in Cinemax’s Outcast (54:49) and give my impressions of Batman: Arkham Origins Blackgate (58:49).