The episode in which we get off to a slow start, Google acquires VR gurus Owlchemy Labs, Amazon introduces the Echo Show and Prime Live Events, Wanda’s Legendary loses another figurehead, and Amazon Prime Video has landed 40 SXSW selections. In bigger news, Cannes changes their criteria for festival selections after streaming titles have joined the Palme d’Or race and Microsoft unveils their “mixed reality” controllers. Plus, the need for VR standards, vertical cinema, contemporary films’ monochromatic agenda, Tupac movies, Donald Glover’s animated FXX Deadpool show, classical film theory, and Judge Dredd.
The episode in which daylight savings just began so we are a day late, Ghost in the Shell is getting an awesome Japanese dub, we predict the futures of Blumhouse and Disney’s live-reactions, La La Land goes on a world tour, Ridley Scott wants more Xenomorph flicks, and Avatar 2 has been delayed yet again. I finally caught X-Men: Apocalypse, share my trip to the New Wave Bar, continue my descent into Lego Dimensions, and give a taste of PSVR 3D Blu-ray playback. Also, Camarada brings 3D recording to all Android devices, Oculus continues blurring VR’s future, IMDb’s F-rating for female projects, Time Warner expands its streaming to animation, our take on videogame adaptations, and the slate of 2017 blockbusters.
The episode in which we continue TrumpWatch2017, Apocalypse Now is becoming a videogame, Square-Enix is doing the same to the Marvel Cinematic Universe, Fox has enlisted Bryan Singer for an in universe X-Men pilot, The Flash stays troubled, Predator sounds amazing, and I tried the Naked Chicken Chalupa. Also, my thoughts on The Founder, Moonlight, SportsBar VR, and Girlschool DJ night; and Steve’s on some Amazon docs, Bone Tomahawk, and I Know Who Killed Me. Plus, AT&T/Time Warner might have competition between Comcast adding cellular lines to its family and Verizon possibly buying Charter Communications, Oscar nominations, the next projects from Jeremy Saulnier and James Ponsoldt, and the first UHD Blu-ray drives are coming to PCs.
The episode in which I return from my day off, Wanda plans to buy one of the major Hollywood studios, the trials and tribulations of Birth of a Nation, VR finding a place in the court room, the problem with music streaming exclusives, HBO signing the first triple coverage TV deal with AT&T, Fast 8’s on set drama (and its rumored WWE end), Doug Liman leaving Marvel for DC, Fox’s X-Men franchise status quo, and my fanboy dream of the DCEU. Plus, lots of Spiderman talk, Playstation coverage, the importance of Blade, my continued championing of the return of the mystery genre, and an exploration of why 3D paved the way for VR.
The episode in which Steve’s roommates are celebrating our Independence Day, The Academy has opened its doors to diverse new talents, Lionsgate is buying Starz, MoviePass is playing with its subscription model, we speculate China’s role in the blockbusters to come, The Arrowverse might have just gotten a lot bigger, and the latest publicity stunt for Ghostbusters has me optimistic about Sony’s future. Plus, Jesus VR – The Story of Christ, The Olympics in VR, Tyrese joins Transformers 5, fun facts about Steven Spielberg, Apple’s patent for blocking camera usage, and more!
The episode in which Steve is taking a sabbatical so Tyler from Future Horse joins me, Flash has a Dope new director, Rogue One is going through reshoots, news on the Sicario sequel, Power Rangers, Google is taking steps to prevent Skynet, holographic performances at the Museum of Comedy, stupid backlash over X-Men, Ubisoft is adapting another IP to the big screen, and the reemergence of the musical and disaster flick. Plus, Netflix is making a show about female wrestlers, Atari is trying to stay relevant, and I gush over the promise of VR for a new set of ears (and why it won’t be the next fad like 3D).
This week I decided to be a cheap jerk and make Steve catch Adam Sandler’s second Netflix exclusive, The Do-Over, as well as Seth Rogen and Evan Goldberg’s Preacher pilot (22:15). Steve caught the natural header, X-Men: Apocalypse in 3D (32:45) and last year’s Cannes standout, The Lobster (42:12). Finally, I saw another comicbook pilot in Cinemax’s Outcast (54:49) and give my impressions of Batman: Arkham Origins Blackgate (58:49).