Debt to Cinema

Debt to Cinema 103: Scent of a Woman

It’s ironically fitting that I would find myself sick at the time of publishing this episode as it stands as one of my go to feel good movies. Regardless of what life may throw your way, coming of age/companion films such as these, even if this one is a little long and cacophonous, know exactly how to reassure you that everything is worthwhile still #IdBuyThatForADollar

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Dollar Reviews

Dollar Reviews 031: Elle

If the name Paul Verhoeven doesn’t mean anything to you, chances are you’ve never thought about our site’s branding. Robocop is one of those films that just gets me, so finally having the chance to not only catch it’s director’s latest work, but also review something of his for the first time, was a special treat for us. Given the nature of this flick, we are mum on details, but you can tune into A Few Dollars More for the juicier conversation.

Debt to Cinema

Debt to Cinema 066: Joyeux Noel

German, French, English, the entire world was involved in the war this film is centered around, but it takes a miracle to remind them we’re all the same. The supposedly true event at the heart of this is beautiful, I just wish more surrounding it was actualized. Moving from the horrors of the holiday to this humbling reminder of what makes us human, especially in the face of turmoil, is about as nutty life gets around Christmas (well, until next week that is…)

Debt to Cinema

Debt to Cinema 065: Black Christmas (1974) (Feat. Scream 101)

While everyone else is busy polishing off fruitcake, buying people presents, and doing their best to embody the holiday spirit, Steve thought we should visit the more sinister side of the yuletide season. We were lucky to have the spooktacular Brennan teach us about the slasher genre, while we marveled at this film’s place in it, and guide us on our first journey down Bob Clark’s lesser known Xmas miracle, which gives the best gift of all: fear #IdBuyThatForADollar

Debt to Cinema

Debt to Cinema 038: The Long Goodbye

Its pretty ironic that this film, given its title, comes at the beginning of Steve’s leave of absence from the show. He picked it (as he states in the intro) to tie in with The Nice Guys, and they are similar in a couple ways, but Elliot Gould brings a level of cool to his version of Philip Marlowe that Gosling and Crowe can’t mimic.