The episode in which two weeks have passed since our last recording and I have open with a horror story to explain why, we mourn Don Rickles and Charlie Murphy, MGM joins the vertical integration party, Cannes adds TV and VR content + a Palme D’or race filled with streaming titles, and my pitch to Universal for where Fast and the Furious goes next. Lots of news on upcoming projects, especially superheroes, Adam McKay, Tim Burton, and Labyrinth, how Amazon is funding its space exploration, and conversation on how our podcast makes film viewing seem like work. Plus, Facebook’s engulfing of Oculus, Netflix’s push for making Hollywood an actual movie town again, YouTube TV details/evolution of cord cutting, furthered marrying of media brands, and Jay-Z’s obnoxious battle for streaming exclusivity especially against Disney’s apparent lack of interest.
The episode in which I return from my day off, Wanda plans to buy one of the major Hollywood studios, the trials and tribulations of Birth of a Nation, VR finding a place in the court room, the problem with music streaming exclusives, HBO signing the first triple coverage TV deal with AT&T, Fast 8’s on set drama (and its rumored WWE end), Doug Liman leaving Marvel for DC, Fox’s X-Men franchise status quo, and my fanboy dream of the DCEU. Plus, lots of Spiderman talk, Playstation coverage, the importance of Blade, my continued championing of the return of the mystery genre, and an exploration of why 3D paved the way for VR.
Steve and I caught two massively different indie flicks from auteurs miles apart for your listening pleasure this week. The first of which is a throwback to what made Richard Linklater famous, while the second is another step down the rabbit hole for Terrence Malick (16:30). Plus Steve gives his take on Too Late (28:37), Hush (34:43), and Eye in the Sky (37:57) while I dish on Supergirl’s crossover with The Flash (41:50).