The episode in which we talk about Sony’s release date calendar, their upcoming 4K Blu-ray tech, PEZ candy/product adaptions, February release dates, and Fantastic Four, because its hard to ignore how much the world hates it.
Tag: cinema
S2E20: Fantastic Four
What happens when some unproven director who got lucky with his debut tries to tackle Marvel’s first family with a dark, downbeat tone? Listen to me rage and Steve try to protect this failure in our most heated review yet.
Two Cents 006: Record. Post. Repeat.
The episode in which we begin talking about old topics such as VR, the future of TV, and film school snobery, even though I spent a week cultivating talking points.
S2E18: Mission: Impossible – Rogue Nation
Tom Cruise proves once again that nothing is impossible for him when he has badass theme music, the question is: should you still care?
S2E17: Vacation
The episode in which I can’t understand why the fuck this movie was made and Steve tries to figure out if the originals are even worth a watch now.
Two Cents 005: Please Cross The Streams
This week Steve tries to guess what my screenplay is about as we talk about food, theater shootings, the evolution of genre, studios mashing together all their properties, The Rock making more adaptations, and some geeky tech stuff.
S2E16: Southpaw
Jake Gyllenhaal continues his deep immersion into characters with this boxing flick that sadly isn’t as big a hit as a left hook.
S2E15: Pixels
Adam Sandler + Chris Columbus + Sony + 3D + 80s nostalgia = ????
Listen to us talk about the film everyone else on the internet has already ripped to shreds.
Two Cents 004: Go Right or Stay Home
The episode in which Steve and I talk about Amazon deals, the theater experience, its inevitable demise, the promise of VR, and Paul Verhoeven’s bodies of work, especially Showgirls.
S2E14: Ant-Man
We’ve seen what happens when known comic book properties make the jump to the big screen, but how about a microscopic hero that most are oblivious to? Despite production snafus and everything going against it, has Marvel pulled off the genre within a genre trick?
