Things start off with the culmination of our Luc Besson Debt to Cinema chain, his long gestating, must see in 3D, comic book adaptation then segue into Christopher Nolan’s larger than life, humanistic war flick (20:30) and my horrible experience watching it. Next Steve tries to lighten the mood with A Ghost Story (46:50), Mike and Dave Need Wedding Dates, and Little Hours (49:10). Finally I dipped into the anime again with Food Wars (52:47) and Inuyasha (54:50) + my first impressions of my New Nintendo 3DS XL (57:38).
We begin with the hippie starring, hipster targeted, family road trip, philosophical drama, Captain Fantastic before I move onto actual superhero fare Guardians of the Galaxy Vol. 2 (28:36) and M. Night Shyamalan’s Split and Unbreakable (46:34). Next, I share my PSVR experiences with Until Dawn: Rush of Blood (55:38) and puzzler Statik (57:53). Meanwhile Steve caught James Ponsoldt’s The Circle (1:01:13), Free Fire (1:20:00), and The Accountant (1:21:34). Finally, I share the TV I’ve been watching lately and my best Goodwill find to date: the $3 recliner (1:24:57).
Always a fan of seeing the worser things in cinema, I’d been meaning to get around to this culturally aborted Lucasfilm/Marvel bomb. As a fan of Waterworld, or better yet, Bio-Dome, how bad could it be? The premise and talent makeup sound quacktastic, but this bizarre, 1980s failure, despite bright moments, is far from being a campy romp.
Dick Tracy is a peculiar beast – a comic book adaptation and an art film, a promotional tie-in machine and slice of auteur cinema. Everything Warren Beatty, the biggest movie star on the planet at the time, does here from a stylistic standpoint is fascinating, its just a shame its wasted on a generic story.
Hey, look! One of our favorite filmmakers released a trashy film and we decided to talk about it for way longer than it probably deserves. This conversation is an even mix of laughing at the story’s logic, off topic tangents, and a fanboy retrospective of Kevin Smith’s career.
We begin with David Ayer’s new, Snyder-less approach to the DC Extended Universe before diving into BvS (57:30) for a third, and final, time on the show, and close with a tease for the guest spot I made on Tyler’s show for The Killing Joke (01:48:00). Also, given that critics unanimously despise both these films I felt it necessary to rehash my gripes with the Rotten Tomatoes system and the clusterfuck which is contemporary film criticism (46:10).
This week I decided to be a cheap jerk and make Steve catch Adam Sandler’s second Netflix exclusive, The Do-Over, as well as Seth Rogen and Evan Goldberg’s Preacher pilot (22:15). Steve caught the natural header, X-Men: Apocalypse in 3D (32:45) and last year’s Cannes standout, The Lobster (42:12). Finally, I saw another comicbook pilot in Cinemax’s Outcast (54:49) and give my impressions of Batman: Arkham Origins Blackgate (58:49).
I caught a midnight screening and a guest host to get this episode out to you Friday morning because I was so excited. You’d probably hear it in my voice if this was a Batman, Superman, or Trinity film, but instead we got DC’s gritty, intellectual Iron Man 2.
This week Steve finally got me to watch Mark Steven Johnson’s cut of that other Ben Affleck superhero movie everyone always shits on. As a fan of the theatrical cut, I was satisfied with the version I grew up with, but agreed the timing with this month’s related releases was too perfect to pass on.
What happens when some unproven director who got lucky with his debut tries to tackle Marvel’s first family with a dark, downbeat tone? Listen to me rage and Steve try to protect this failure in our most heated review yet.