Leave it to America to make a proudly Parisian film even more French, this Luc Besson romantic thriller bleeds angst and oozes style. Before the two remakes and equally as many American TV adaptations, this is the breakthrough international piece of cinema which made the EuropaCorp president an action impresario and household name #IdBuyThatForADollar
Welcome to our first triple feature, starting with the true romcom of Kumail Nanjiani and Emily V. Gordon’s lives #IdBuyThatForADollar, followed by Sony’s third go at Spidey (24:23), and finally Matt Reeves’s conclusion to the Apes trilogy (48:23) #IBTFAD. Also, Steve shares thoughts on The Exception (1:20:07), Kirikou and the Sorceress (1:24:19), and a double feature of The Philadelphia Story/Palm Beach Story (1:27:06). Meanwhile, I caught This is John (1:32:04) and Videodrome in 35mm (1:36:37) – then my Goodwill Corner featuring a surprise announcement (1:41:08).
Its not everyday that a piece of media aims to de(con)struct the genre/subcategory it falls into, but of the last 20 years, most of the best satire has come from films of that ilk. Scream, Last Action Hero, Cabin in the Woods, Scott Pilgrim, and now Joseph Kahn’s crazy, fast, smorgasbord of the milennial high school experience cements weird is good and 90s nostalgia is better! #IdBuyThatForADollar
Another holiday, another killing joke about the horrors of celebrating the second year of this podcast. Given how dear The Faculty, Scream, and especially Dawson’s Creek are to me, how has this Kevin Williamson script held up 20 years after the fact? Spoiler: There aren’t filmic fireworks, but I definitely appreciate Scary Movie more now.
Cool as ice Steve McQueen shines alongside a Ford Mustang fastback 2+2 in this reminder of how suave New Hollywood was before absolute power corrupted absolutely. If Edgar Wright got your engine revving this week like us, you owe it to yourself to see one of Baby Driver’s inspirations #SilverDollar
The final episode of the show where we chronicle all the major trends we’ve reported over the years (vertical integration, VR, the internet of things, evolution of movies/TV, etc), Amazon storms its way into the grocery business, Verizon officially owns Yahoo, and social media starts creating actual media. Plus, round two of E3 2017 coverage, Rocket League, Bethesda VR, Sony’s PlayLink, Spiderman Homecoming VR tie-in, and Clean Version initiative, and the future of blockbusters.
Let’s be honest, with the never ending recycle process entertainment goes through, one block of original/remake tandems wasn’t going to last long. Steve apologized in advance for not picking the Universal monster incarnation, but seeing 1999’s/the release of Dark Universe made me want to see the origin of their only true original franchisee #SilverDollar
The episode where we try our best to sound energetic, but two years is finally catching up with us, Black Panther comes while a Batman goes, LA unveils an Alamo Drafthouse and a new Xbox, Bethesda and Apple fully embrace VR/AR, and SiriusXM teams up with Pandora. Plus, the continued boycott of Netflix in theaters, more Dark Universe monsters, Sony making family friendly streaming edits, selling a Plame d’Or to finance a movie, and Amazon/Oculus becoming available to all.
Of their many monsters, Universal has seemed most interested in keeping The Mummy alive forever. Between this weekend’s Dark Universe re-reboot with Tom Cruise, the original Karloff features, and of course this debt, Stephen Sommer’s turn of the century swashbuckling, treasure seeking, adventure that kicked off a trilogy, it appears opening the sarcophagus is always a good idea #DimeADozen
After three reviews for Batman v Superman and my equal amount of screenings for Suicide Squad, Patty Jenkins made a sacrifice to the gods and gave us a DCEU movie the world unanimously loves for all the right reasons #IdBuyThatForADollar. We fill out the rest of the episode with our delayed thoughts on Tom Tykwer’s A Hologram for the King (38:45), “Max Landis’s” Mr. Right (44:27), and IFC Midnighter, A Dark Song (58:37).