Leave it to America to make a proudly Parisian film even more French, this Luc Besson romantic thriller bleeds angst and oozes style. Before the two remakes and equally as many American TV adaptations, this is the breakthrough international piece of cinema which made the EuropaCorp president an action impresario and household name #IdBuyThatForADollar
Tag: film criticism
Dollar Reviews 042: The Big Sick/Spider-man: Homecoming/War for the Planet of the Apes
Welcome to our first triple feature, starting with the true romcom of Kumail Nanjiani and Emily V. Gordon’s lives #IdBuyThatForADollar, followed by Sony’s third go at Spidey (24:23), and finally Matt Reeves’s conclusion to the Apes trilogy (48:23) #IBTFAD. Also, Steve shares thoughts on The Exception (1:20:07), Kirikou and the Sorceress (1:24:19), and a double feature of The Philadelphia Story/Palm Beach Story (1:27:06). Meanwhile, I caught This is John (1:32:04) and Videodrome in 35mm (1:36:37) – then my Goodwill Corner featuring a surprise announcement (1:41:08).
Debt to Cinema 095: Detention (2011)
Its not everyday that a piece of media aims to de(con)struct the genre/subcategory it falls into, but of the last 20 years, most of the best satire has come from films of that ilk. Scream, Last Action Hero, Cabin in the Woods, Scott Pilgrim, and now Joseph Kahn’s crazy, fast, smorgasbord of the milennial high school experience cements weird is good and 90s nostalgia is better! #IdBuyThatForADollar
Dollar Reviews 041: Baby Driver
Having done the UK proud and Canadian manga fans one better, what has Edgar Wright brought to musically inclined getaway drivers of the South? #SilverDollar – I also played plenty of rhythm games in our month long absence headlined by DJ Hero (27:46), went to the cinema for Captain Underpants (31:47) and Transformers: The Last Knight (34:30) in 3D, and stayed home for Adam Sandler’s The Cobbler (43:17). Meanwhile, Steve caught Cars 3 also in three dimensions (52:03), Collateral Beauty (55:10), and The Girl on the Train (59:37), before I close with my many Goodwill finds featuring an ad for the org (1:03:42).
Debt to Cinema 093: Bullitt
Cool as ice Steve McQueen shines alongside a Ford Mustang fastback 2+2 in this reminder of how suave New Hollywood was before absolute power corrupted absolutely. If Edgar Wright got your engine revving this week like us, you owe it to yourself to see one of Baby Driver’s inspirations #SilverDollar
Debt to Cinema 092: The Stepfather (1987)
If you’ve never seen this one, you owe it to yourself to watch it as counter programming on Father’s Day like we did. Such a smart script, an even better monster, and the scariest true tale there ever was without being terrifying on screen #IdBuyThatForADollar
Debt to Cinema 091: The Mummy (1932)
Let’s be honest, with the never ending recycle process entertainment goes through, one block of original/remake tandems wasn’t going to last long. Steve apologized in advance for not picking the Universal monster incarnation, but seeing 1999’s/the release of Dark Universe made me want to see the origin of their only true original franchisee #SilverDollar
