The episode in which daylight savings just began so we are a day late, Ghost in the Shell is getting an awesome Japanese dub, we predict the futures of Blumhouse and Disney’s live-reactions, La La Land goes on a world tour, Ridley Scott wants more Xenomorph flicks, and Avatar 2 has been delayed yet again. I finally caught X-Men: Apocalypse, share my trip to the New Wave Bar, continue my descent into Lego Dimensions, and give a taste of PSVR 3D Blu-ray playback. Also, Camarada brings 3D recording to all Android devices, Oculus continues blurring VR’s future, IMDb’s F-rating for female projects, Time Warner expands its streaming to animation, our take on videogame adaptations, and the slate of 2017 blockbusters.
Tag: HBO GO
Two Cents 055: Carmike, Odeon, and Paramount, Oh My!
The week in which China’s Wanda Group continues its attempt to take over the cinematic world, Javier Barden might be Universal’s Frankenstein, unapproved password sharing is a federal crime, Warner Bros got in trouble from the FTC for YouTube payola, Google paying music publishers over $3 Billion for copyright claims, and ABC/Fox taking huge steps for the cordcutting generation. Plus, Lionsgate isn’t done making Saw films, Star Wars VR projects, VR headset exclusivity featuring Samsung, Flixtapes, and Nintendo turning a new leaf.
Two Cents 031: #OscarsSoWhite
The episode in which we used a hashtag in the title so we never have to talk about this again, China continues to take hold in Hollywood, Netflix crosses 75 million subscribers, HBO goes 100% streaming in Spain, Amazon and A24 buy up Sundance, Rob Cohen is making a natural disaster/heist flick, Greta Gerwig is trying the director’s chair, Labyrinth is getting a reboot, Tarantino universe tidbits, Star Wars Episode VIII moves to Christmas, Kevin Smith made a pot dispensary pilot, Judd Apatow gets another TV show, and I accidentally placed a cool Netflix sci-fi movie announcement at the end.
Debt to Cinema 018: Field of Dreams
Coming off of Dancing With Wolves the previous week, Steve felt it was time to see Kevin Costner’s other classic released just the year before. This is a beautifully, haunting film. They just don’t make ’em like this anymore.
Dollar Reviews 