Debt to Cinema

Debt to Cinema 100: 100 Rifles

Contrary to common belief, the longer you do something doesn’t make it easier to do. Join us for our second triple digit episode where I chronicle just how tiring certain screenings can be despite having fun moments. Burt Reynolds, Jim Brown, Raquel Welch, and Jerry Goldsmith’s score go a long way here, but this one’s a #DimeADozen (or 10 of them depending on who you ask).

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Debt to Cinema

Debt to Cinema 054: Victoria (2015)

This film is a different breed, a single night in Berlin, a single girl falling in love, and its told in a single shot. This isn’t a movie, this is cinematic truth. With minor detractions, Sebastian Schipper offers us an illusion of reality that defines genre. If High Noon, Before Sunrise, Birdman, and Unfriended had a baby it still wouldn’t be as beautiful as this glimpse at the future of digital filmmaking #IdBuyThatForADollar

Debt to Cinema

Debt to Cinema 053: A Man For All Seasons

Our second year of this show coincidentally begins with yet another film by Fred Zinnemann – the pair being the only works of his I’ve seen. High Noon is a story about time while this one is a story for all times! If the rest are as good as these two, I’m going to need a bigger wallet #IdBuyThatForADollar

Two Cents

Two Cents 064: The One Sided Conversation (Feat. Chef Geoh)

The week in which my guest had a recording snafu and only my audio survived, I share my experiences from GameStop Expo and Long Beach Comic Con, pimp our episode on Victoria since High Noon is getting a remake, Rogue One has lost its composer 3 months before release, Spike Lee is adapting She’s Gotta Have It for Netflix, Facebook being integrated into Oculus has us scared, Twitter is embracing its media platform while reinvigorating itself, and eSports are coming to a university near you. Plus, Batman Day, Margot Robbie’s WB contract, a Stan Lee movie, dark reboots of lesser heroes, Fury Road: Black & Chrome, and more!

Debt to Cinema

Debt to Cinema 052: Shane

To celebrate an entire year of paying off our cinematic debts, Steve thought it would be cute to pick another Western. It was a great idea; however, this one doesn’t come close to our initial selection. Join us for a dismantling of a Best Picture nominee many have called “The Greatest Classic Western of all Time.”