Time is a curious thing, the more we have of it, the less we care; however, every October I fully embrace death and view those scary little films I tell myself I never have time for. Starting the season off proper is this foreign treat, Guillermo del Toro’s first film – his reinvention of vampirism, aka the supernatural solution for time eternal #SilverDollar
We return to the land of Jewison just in time for the second coming of our Easter themed spectacular. Come for Steve’s song of an opening line, true to this dialogue absent 70s rock opera, stay for our discussion of my trip to Israel, why Superman is a better version of the Jesus story, and this film’s connection to Along Came Polly.
German, French, English, the entire world was involved in the war this film is centered around, but it takes a miracle to remind them we’re all the same. The supposedly true event at the heart of this is beautiful, I just wish more surrounding it was actualized. Moving from the horrors of the holiday to this humbling reminder of what makes us human, especially in the face of turmoil, is about as nutty life gets around Christmas (well, until next week that is…)
Topicality is a funny thing in that what is special for a given moment doesn’t always retain its luster. This pick, Steve’s second consecutive selection from Peter Medak, in particular is strange for a non-British audience. Its a quirky, black comedy about politics, but its length and run-on jokes make it hard to recommend. This is one of the few moments where we sacrificed our time so you don’t have to – enjoy!
For the first time since 2012, David Junco returns to help us review Mel Gibson’s controversial origin story of the Easter Bunny. Join us for this borderline sacrilegious episode that’s full of so much passion it practically hurts.
Editor Note: Its pretty ironic that the original file was dead, then resurrected on Easter