The episode in which I try to keep this show alive by dumping Penny Thoughts back onto Dollar Reviews (and doing that weekly again via streaming titles), I make my first retractions, Superman joins Mission: Impossible, Fandango takes aim at Mondo, and Sony says goodbye to the PS3/hello again to VR as more join the fray. Steve caught up on The Edge of Seventeen, Raw, and 2014’s Beauty and the Beast; while I was enamored by Kedi, pumped out Drake’s More Life, experienced Step Up 3D within PSVR, and finally beat Sly Cooper. More importantly, Sony is making a Venom movie, Warner Bros is rebooting The Matrix, Fox is remaking The Fly, and Netflix is re-sharting pan and scan.
The episode in which daylight savings just began so we are a day late, Ghost in the Shell is getting an awesome Japanese dub, we predict the futures of Blumhouse and Disney’s live-reactions, La La Land goes on a world tour, Ridley Scott wants more Xenomorph flicks, and Avatar 2 has been delayed yet again. I finally caught X-Men: Apocalypse, share my trip to the New Wave Bar, continue my descent into Lego Dimensions, and give a taste of PSVR 3D Blu-ray playback. Also, Camarada brings 3D recording to all Android devices, Oculus continues blurring VR’s future, IMDb’s F-rating for female projects, Time Warner expands its streaming to animation, our take on videogame adaptations, and the slate of 2017 blockbusters.
The episode in which we publish under Creative Commons, talk about Vin Diesel’s expanding movie universes, Memento getting a remake, Figment VR, Robert Rodriguez’s film that won’t be seen until 2115, Edgar Wright trying his hand at animation, Hasbro putting My Little Pony on the big screen, Joaquin Phoenix + Casey Affleck, Top Gun 2, Max Landis getting a show on Syfy, and Amazon’s improved screenwriting tools. Plus, reviews for Edward Scissorhands, Iron Man, King Kong, Gravity, The Killing, Monster’s University, Monster’s Inc., The Little Prince, Winnebago Man, Stories We Tell, Marvel’s Jessica Jones, and Man in the High Castle.
Tom Cruise proves once again that nothing is impossible for him when he has badass theme music, the question is: should you still care?