Having done the UK proud and Canadian manga fans one better, what has Edgar Wright brought to musically inclined getaway drivers of the South? #SilverDollar – I also played plenty of rhythm games in our month long absence headlined by DJ Hero (27:46), went to the cinema for Captain Underpants (31:47) and Transformers: The Last Knight (34:30) in 3D, and stayed home for Adam Sandler’s The Cobbler (43:17). Meanwhile, Steve caught Cars 3 also in three dimensions (52:03), Collateral Beauty (55:10), and The Girl on the Train (59:37), before I close with my many Goodwill finds featuring an ad for the org (1:03:42).
We return to the land of Jewison just in time for the second coming of our Easter themed spectacular. Come for Steve’s song of an opening line, true to this dialogue absent 70s rock opera, stay for our discussion of my trip to Israel, why Superman is a better version of the Jesus story, and this film’s connection to Along Came Polly.
There are certain films out there that escape convention, or defy description, and despite our best attempts across an hour of conversation here, Lars von Trier’s divisive Palme d’Or winning “anti-musical” is one of them. Through its method of filmmaking, stylistic choices, and overall mood, as bleak as it may be, Trier creates a raw document and testament to the power of music and its escapist qualities from even the most tragic parts of life #IdBuyThatForADollar
I didn’t exactly see the point in discussing this festival darling at greater length, but I think Steve was secretly hinting my recent romance might lead to an interesting discussion. He was right – join us for a no holds barred breakdown of how this fits in the Musical ouevre, our relationship with love, and ultimately just how splendid this picture is.
La La Land – both a nickname for Hollywood and the transcendental place couples live in when everything is perfect. In a world where everyone can be a celebrity, this third pairing of Ryan Gosling and Emma Stone reminds us why we go the movies in the first place. These star crossed lovers make Damien Chazelle’s landmark re-imagining of the movie musical sparkle in a time where song and dance are rarely coupled anymore. For so many reasons this has been sweeping the 2016 award season and it deserves all the money #IdBuyThatForADollar
This week I tried something different, I didn’t watch our selection. Coming out of my whirlwind romance made me reluctant sure, but the last time I viewed this Best Picture winner was with my late grandfather, Barry, and I wasn’t quite ready for a revisit. Instead of technical details I share my recollections from having been in a production at the onset of high school #IdBuyThatForADollar
Despite telling ourselves, and each other, that we wouldn’t see Paul Feig’s Ghostbusters, we caught the she-make anyway. Also, Steve saw 1988’s Uninvited (34:28), I trounced around Goodwill and started The CW’s Crazy Ex-Girlfriend (39:50), terrified myself with Scare PewDiePie (41:36), and listened to the new Avalanches (43:40) and Blood Orange (46:05) albums. Finally Steve caught Tickled (47:32) which leads into a great conversation about documentary filmmaking.