Its pretty ironic that this film, given its title, comes at the beginning of Steve’s leave of absence from the show. He picked it (as he states in the intro) to tie in with The Nice Guys, and they are similar in a couple ways, but Elliot Gould brings a level of cool to his version of Philip Marlowe that Gosling and Crowe can’t mimic.
Because Steve’s a dick, here’s my second review of The Wachowskis debut film within a six month span. Its criminally underseen, but hopefully their transitions will spark interest in this queer noir if only for its two gorgeous, leading ladies. Listen through the outro for my first impression (Warning: I say definitely a lot).