The episode where we try our best to sound energetic, but two years is finally catching up with us, Black Panther comes while a Batman goes, LA unveils an Alamo Drafthouse and a new Xbox, Bethesda and Apple fully embrace VR/AR, and SiriusXM teams up with Pandora. Plus, the continued boycott of Netflix in theaters, more Dark Universe monsters, Sony making family friendly streaming edits, selling a Plame d’Or to finance a movie, and Amazon/Oculus becoming available to all.
Following how grueling The Tribe’s abortion scene is, and my mentioning this film during its breakdown, I felt Mother’s Day was a natural fit for a film where another unwanted pregnancy is central to the story. However, like Catwoman before it, this Palme d’Or winner’s secret weapon isn’t the long takes, or atmosphere, but window into womanhood it offers #SilverDollar
The episode in which we get off to a slow start, Google acquires VR gurus Owlchemy Labs, Amazon introduces the Echo Show and Prime Live Events, Wanda’s Legendary loses another figurehead, and Amazon Prime Video has landed 40 SXSW selections. In bigger news, Cannes changes their criteria for festival selections after streaming titles have joined the Palme d’Or race and Microsoft unveils their “mixed reality” controllers. Plus, the need for VR standards, vertical cinema, contemporary films’ monochromatic agenda, Tupac movies, Donald Glover’s animated FXX Deadpool show, classical film theory, and Judge Dredd.
As a film criticism outlet based almost entirely on the power of conversation, especially via the internet, this Palme d’Or winner raises timeless questions about the privacy of our off-air moments and the type of people possibly listening in. To say this unsung Francis Ford Coppola thriller is great is doing it a disservice by word association, you seriously have to watch this one (or perhaps let it watch you) #IdBuyThatForADollar
There are certain films out there that escape convention, or defy description, and despite our best attempts across an hour of conversation here, Lars von Trier’s divisive Palme d’Or winning “anti-musical” is one of them. Through its method of filmmaking, stylistic choices, and overall mood, as bleak as it may be, Trier creates a raw document and testament to the power of music and its escapist qualities from even the most tragic parts of life #IdBuyThatForADollar