The episode in which I finally have someone on that knows what VR is so I begin by asking him lots of things about working in the new medium, SanDisk created a 1TB SD card, Palmer Luckey has a fall from grace, Dalian Wanda is teaming with Sony on their tentpoles, music streaming is equally as profitable as sales now, AT&T’s DirecTV net neutrality no-no’s, Pokemon GO and Snapchat’s role in AR’s adoption, and the future of advertising/marketing in the VR age. Plus, Dawson’s Creek, VCRs, lactose intolerance, virtual reality’s lack of content & governance, parents not understanding the dangers of early VR exposure, VR gambling coming to casinos, and almost no film conversation at all.
The slow week in which I try a different format, Amazon might have landed the next Linklater flick, Arclight Theaters are on Fandango, I share a funny/sad coincidence about Dollar Reviews 028, Transformers 5 casting King Arthur and its possible cementing of a trend, my second attempt at making “live-reaction” a thing, and DC and Marvel news (with an unrequested re-review of Spiderman: Civil War). Plus, Jon Favreau made a virtual reality experience, Steve finally got a Google Cardboard, we guess why HTC Vive and Oculus Rift sales are stagnant, Linden Labs and IMAX reveal more about their VR gambles, and the future of education in a digital world.
The week in which I try to make #shemake a thing again, we talk about Disney playing it safe, Eyefluence is looking to bring eye tracking to VR/AR, BitTorrent unleashes the Discovery Fund in its latest attempt to curb piracy connotations, Hulu is getting rid of its free content, NBCUniversal enters a deal to make content for Snapchat (which Steve still doesn’t understand), Harry Potter vs Star Wars, Nickelodeon continues the nostalgia craze, China believes in James Wan, and Amazon Prime Video has 1-click enabled product placement ads now. Plus, VR coming to Orlando’s Halloween Horror Nights, a long discussion about the CW’s two part musical crossover in the Arrowverse, David Fincher making another sequel, a Winchester Mansion flick, and a frank discussion about our differences in comedy appreciation spurned by news of a Scarface remake.
The episode in which Steve’s roommates are celebrating our Independence Day, The Academy has opened its doors to diverse new talents, Lionsgate is buying Starz, MoviePass is playing with its subscription model, we speculate China’s role in the blockbusters to come, The Arrowverse might have just gotten a lot bigger, and the latest publicity stunt for Ghostbusters has me optimistic about Sony’s future. Plus, Jesus VR – The Story of Christ, The Olympics in VR, Tyrese joins Transformers 5, fun facts about Steven Spielberg, Apple’s patent for blocking camera usage, and more!
The episode in which we celebrate crossing the one year mark with Tyler and Luis, mourn Anton Yelchin’s untimely passing, cover the next Indiana Jones and Spielberg’s nonstop production calendar, rumors of The Rock being cast in his fourth franchise at Universal, the stellar additions to Spiderman: Homecoming, and Sony’s rumored plans for its new franchise. Plus, I share my experience with Playstation VR, Oculus attempts to get out of hot water, E3 coverage, Paramount’s rules for Star Trek fan films post-Axanar, Hotel Transylvania 3, Step Up coming to YouTube Red, Monopoly: The Musical, and much more!
The episode in which Steve tries to guess the Oscar winners, I give my critique of the ceremony/coverage, stunt performers are lobbying for their own category, #JusticeForFlint did well despite its counter programming, the FBI nabbed one of the screener pirates, we talk about the R-rated comic book movies, China might buy a stake in Paramount, and Netflix will start streaming in HDR. Plus I continue my fascination with VR, especially in terms of new developments (Facebook’s dynamic streaming/Google leveraging Project Tango), Ready Player One found its lead, Fox moves things around, we talk Sam Raimi because he is making World War III, Pacific Rim 2, we talk about Disney movies, Amazon is trying new things, and Netflix has found new talent.