The episode in which Batfleck leaves the director’s chair, Smodcast turns 10, I forget what week it is, IMDb is abandoning its message boards, directors move around, and The CW’s DC footprint is getting bigger. Steve caught 28 Days Later on 35mm, caught up on Train to Busan, and saw I’m Not Your Negro; while I saw Manchester by the Sea, The Edge of Seventeen, and NBC’s Powerless. Plus, the UC Berkeley violent protest against free speech, Zenimax successfully sued Oculus for stealing their resources, Sony’s Playstation VR gets brighter as Sony Pictures looms in uncertainty, Snapchat grows up, and how Vizio’s spying on you might shake up FCC standards again.
The week in which I stumble out of the gate but still implore everyone to visit LACMA’s Guillermo Del Toro exhibit, Black Panther has new big talent, Amazon launched Video Direct, making them a Youtube competitor, the A to Z store is rumored to offer its own food items to Prime members, We Do It Together is making a female centered short film collection, the scary trend of people live streaming sad shit, Warner Bros makes Godzilla moves as Gareth Edwards moves on, The Russo Bros are making a Chinese superhero movie, Wentworth Miller is going to be a recurring character across the Arrowverse, and Disney Infinity is no more as The House of Mouse has ceased all videogame development.
The episode in which Steve tries to guess the Oscar winners, I give my critique of the ceremony/coverage, stunt performers are lobbying for their own category, #JusticeForFlint did well despite its counter programming, the FBI nabbed one of the screener pirates, we talk about the R-rated comic book movies, China might buy a stake in Paramount, and Netflix will start streaming in HDR. Plus I continue my fascination with VR, especially in terms of new developments (Facebook’s dynamic streaming/Google leveraging Project Tango), Ready Player One found its lead, Fox moves things around, we talk Sam Raimi because he is making World War III, Pacific Rim 2, we talk about Disney movies, Amazon is trying new things, and Netflix has found new talent.