Netflix releases are hit or miss with people, and that is exactly what Charlie McDowell’s The Discovery is for us, undoubtedly culminating in one of our most heated clashes – which is fitting for a film regarding explorations of the afterlife (check the AFDM for uncensored dialogue). Steve also caught Malick’s Song to Song (27:50) and Gremlins 2 (36:00), while I experienced Ubisoft’s social VR game Werewolves Within (43:20), Sly Cooper 2: Band of Thieves (52:08), and binged on Kendrick Lamar, while sharing my latest Goodwill and LEGO hauls.
The episode in which The Academy begins fixing its accountability problem, Samsung makes a big splash with the Galaxy S8, Joss Whedon/Aaron Sorkin superhero rumors, Blumhouse may adapt Five Nights at Freddy’s, I share my breakthrough VR experience with Werewolves Within, Palmer Luckey has left Facebook/Oculus, Venice Film Festival fully embraces virtual reality. Plus the fake Seth Rogen/Evan Goldberg script that floated around town, my continued vendetta against Lee Daniels’s Terms of Endearment remake/thoughts on remake culture, and the evolution of Amazon/Twitch programming, especially versus Netflix.
The week in which I talk about going to a wedding and a finding a pet lizard, mourn two CBs and the many deaths to come, Netflix adds four more Adam Sandler movies, Brett Ratner vs Rotten Tomatoes, Bob Iger’s reign continues at Disney, Sony plots more Spidey, and George R.R. Martin is opening a movie studio. Plus, VR spotlight on the After Solitary documentary, Nomadic joins the VR exhibition industry, Oculus needs to change its stripes, MGM is making the jump to Snapchat, the impending shortened cinematic window, and Disney sits out a lot of things including usage of Mickey Mouse.
The episode in which I try to keep this show alive by dumping Penny Thoughts back onto Dollar Reviews (and doing that weekly again via streaming titles), I make my first retractions, Superman joins Mission: Impossible, Fandango takes aim at Mondo, and Sony says goodbye to the PS3/hello again to VR as more join the fray. Steve caught up on The Edge of Seventeen, Raw, and 2014’s Beauty and the Beast; while I was enamored by Kedi, pumped out Drake’s More Life, experienced Step Up 3D within PSVR, and finally beat Sly Cooper. More importantly, Sony is making a Venom movie, Warner Bros is rebooting The Matrix, Fox is remaking The Fly, and Netflix is re-sharting pan and scan.
The episode in which daylight savings just began so we are a day late, Ghost in the Shell is getting an awesome Japanese dub, we predict the futures of Blumhouse and Disney’s live-reactions, La La Land goes on a world tour, Ridley Scott wants more Xenomorph flicks, and Avatar 2 has been delayed yet again. I finally caught X-Men: Apocalypse, share my trip to the New Wave Bar, continue my descent into Lego Dimensions, and give a taste of PSVR 3D Blu-ray playback. Also, Camarada brings 3D recording to all Android devices, Oculus continues blurring VR’s future, IMDb’s F-rating for female projects, Time Warner expands its streaming to animation, our take on videogame adaptations, and the slate of 2017 blockbusters.
The week in which The Obamas path to post-White House superstardom is still on track, New Line is returning to Oz, Tron and Transformers news, dreams of YouTube TV, and follow up info on The Oscar’s Best Picture incident last week. Among the other things we covered this busy week are Mobile World Congress devices, Game Developer’s Conference’s many VR news items (including an Oculus price drop), the Nintendo Switch launch, Avatar 2, white privilege, and the impending doom of this news show.
The episode in which our hero from Bulworth and Dick Tracy finds himself in a sticky situation, the passing of Bill Paxton, the state of Playstation VR, Hellboy, Nightwing, and Devon Sawa?! Steve caught the apparently similar Get Out and A Cure for Wellness, while I have had HEALTH’s Disco 3 on repeat while exploring Thumper (PSVR). Plus, Netflix looking very Bright (so we try to calculate its money pool), 5G tests are coming this year, and VR in space!
The episode in which Batfleck leaves the director’s chair, Smodcast turns 10, I forget what week it is, IMDb is abandoning its message boards, directors move around, and The CW’s DC footprint is getting bigger. Steve caught 28 Days Later on 35mm, caught up on Train to Busan, and saw I’m Not Your Negro; while I saw Manchester by the Sea, The Edge of Seventeen, and NBC’s Powerless. Plus, the UC Berkeley violent protest against free speech, Zenimax successfully sued Oculus for stealing their resources, Sony’s Playstation VR gets brighter as Sony Pictures looms in uncertainty, Snapchat grows up, and how Vizio’s spying on you might shake up FCC standards again.
The episode in which we continue TrumpWatch2017, Apocalypse Now is becoming a videogame, Square-Enix is doing the same to the Marvel Cinematic Universe, Fox has enlisted Bryan Singer for an in universe X-Men pilot, The Flash stays troubled, Predator sounds amazing, and I tried the Naked Chicken Chalupa. Also, my thoughts on The Founder, Moonlight, SportsBar VR, and Girlschool DJ night; and Steve’s on some Amazon docs, Bone Tomahawk, and I Know Who Killed Me. Plus, AT&T/Time Warner might have competition between Comcast adding cellular lines to its family and Verizon possibly buying Charter Communications, Oscar nominations, the next projects from Jeremy Saulnier and James Ponsoldt, and the first UHD Blu-ray drives are coming to PCs.
The delayed episode in which I ended up finishing things alone, where Trump is in the White House, Sundance is covered in snow, streamers make moves, Hellboy 3 might be coming, AMC Theaters continues its global dominance, Superbowl LI is streaming for free, and I review The London Heist, Black Mirror’s Playtest episode, my VR playtesting gig, and Damien Chazelle’s TCM block. Meanwhile, Steve talks Samurai Cop 2, Hell or High Water, The Magnificent 7 (2016), and Sony’s Passengers. Plus, The Terminator is returning to James Cameron, Legendary lost its CEO, Paramount gets into bed with China, things don’t look good for Sony (across TV, Film, and PSVR), Netflix seduced Jerry Seinfeld, and some VR things to close out the show.