The episode where I flesh out a future Dollar Reviews podcast during a mock Patreon ad break for Fleshlight (1:11:07), Joss Whedon takes over Justice League duties after a tragedy in the Snyder family, I get alarmed by the shelf life of disasters in the face of Disney escapism, Sony goes down Uncharted territory with Tom Holland and Gina Prince-Bythewood, and Universal unveils its Dark Universe. Plus, Amazon + Steven Soderbergh, VR porn (for the umpteenth time), the future of festival ticketing, and creating movies via breakout tweets.
The episode in which Batfleck leaves the director’s chair, Smodcast turns 10, I forget what week it is, IMDb is abandoning its message boards, directors move around, and The CW’s DC footprint is getting bigger. Steve caught 28 Days Later on 35mm, caught up on Train to Busan, and saw I’m Not Your Negro; while I saw Manchester by the Sea, The Edge of Seventeen, and NBC’s Powerless. Plus, the UC Berkeley violent protest against free speech, Zenimax successfully sued Oculus for stealing their resources, Sony’s Playstation VR gets brighter as Sony Pictures looms in uncertainty, Snapchat grows up, and how Vizio’s spying on you might shake up FCC standards again.
The episode in which the force awakens new box office records, Tarantino is pushed out of the Cinerama Dome, Dreamworks becomes Amblin Partners, Netflix streaming requires less bandwidth, Mad Max might get a black and white re-release, Terminator 2 is returning in 3D, Disneyland takes safety precautions, Sean Penn is Andrew Jackson on HBO, and Amazon renews three shows (including my darling Red Oaks).
The episode in which I delay going to the emergency room to record a show about the final Star Wars trailer, The Hateful Eight being longer on 70mm, Jennifer Lawrence’s essay about the pay wage gap, HBO’s show about feminism in the 60s, a Die Hard “pre-boot,” a ton of comic book adaptations on TV, War Games going interactive, and more Lego Batman news. Plus discussion about The Uninvited, To the Wonder, Red Oaks, Unfriended, The Final Girls, and It Follows.