Following Steve’s subversion of Xmas with Black Christmas, this is the next installment in his (hopefully) continuing series of holidays gone rogue. If you’re a fan of the slasher genre or a spoilsport when it comes to Cupid’s Day of Love, you should check this out for its inventive kills on/surrounding a day generally reserved for bleeding hearts of a different order, just don’t expect too much, because the MPAA is the real killer here.
It took us forever to review one of Paul Verhoeven’s flicks, so I thought it would be fun to follow it up immediately with the project released before it. I could describe the experimental nature of the production of this 2012 release, but you’ll probably get a bigger kick listening to this episode with no further introduction. Suffice to say, if any recording defines our different critical styles, its this one.
With the rat race the 2016 Presidential Election has become, and more importantly, the increasing realization that all lives matter, this amazingly, sardonic Warren Beatty film is necessary viewing. Its over the top and laughably silly, but it comes from the right place. Hopefully this ep helps give it the attention it deserves now since it didn’t get it in 1998.
This week I decided to be a cheap jerk and make Steve catch Adam Sandler’s second Netflix exclusive, The Do-Over, as well as Seth Rogen and Evan Goldberg’s Preacher pilot (22:15). Steve caught the natural header, X-Men: Apocalypse in 3D (32:45) and last year’s Cannes standout, The Lobster (42:12). Finally, I saw another comicbook pilot in Cinemax’s Outcast (54:49) and give my impressions of Batman: Arkham Origins Blackgate (58:49).