The episode in which 100 being the ending seems more and more realistic, lots of tryhard social network lamestars got dupped by Ja Rule and his doomed Bahamian luxury music outing and the Seth Rogen/Lonely Island flick that might share a similar premise, we try to make sense of unions and the impending WGA strike, lots of Disney flicks get dates, Time Warner’s DC streaming service, and Amazon’s Echo Look. Plus, Jeff Goldblum in Jurassic World 2, Logan going black and white, Night Trap turns 25, M. Night’s Unbreakable sequel, what David Fincher, Damien Chazelle, Ang Lee, and Paul Verhoeven are working on next, Innaritu on VR, Abu Dhabi’s Warner Bros World, social network holidays, and deets on Netflix’s next Adam Sandler flick.
The episode in which two weeks have passed since our last recording and I have open with a horror story to explain why, we mourn Don Rickles and Charlie Murphy, MGM joins the vertical integration party, Cannes adds TV and VR content + a Palme D’or race filled with streaming titles, and my pitch to Universal for where Fast and the Furious goes next. Lots of news on upcoming projects, especially superheroes, Adam McKay, Tim Burton, and Labyrinth, how Amazon is funding its space exploration, and conversation on how our podcast makes film viewing seem like work. Plus, Facebook’s engulfing of Oculus, Netflix’s push for making Hollywood an actual movie town again, YouTube TV details/evolution of cord cutting, furthered marrying of media brands, and Jay-Z’s obnoxious battle for streaming exclusivity especially against Disney’s apparent lack of interest.
We’ve been nice overall when it comes to sharing our opinions of Adam Sandler’s recent offerings, not seeing the point in beating a dying horse, but after two hiccups on Netflix, Happy Madison has finally delivered something totally likeable. When that conversation trails off we split hairs over the Thor Ragnarok trailer (27:16) before doing a live reaction to the Star Wars Battlefront 2 reveal (33:51), followed by my showstopping Goodwill movie haul (37:46) and impressions of Kendrick Lamar’s DAMN (44:17). Finally Steve caught Poltergeist in 70mm (48:58) and Gods of Egypt (51:24), while I saw The Accountant (55:29) and a double bill of We Are the Best and Los Punks (59:23).