The episode where we try our best to sound energetic, but two years is finally catching up with us, Black Panther comes while a Batman goes, LA unveils an Alamo Drafthouse and a new Xbox, Bethesda and Apple fully embrace VR/AR, and SiriusXM teams up with Pandora. Plus, the continued boycott of Netflix in theaters, more Dark Universe monsters, Sony making family friendly streaming edits, selling a Plame d’Or to finance a movie, and Amazon/Oculus becoming available to all.
The episode in which 100 being the ending seems more and more realistic, lots of tryhard social network lamestars got dupped by Ja Rule and his doomed Bahamian luxury music outing and the Seth Rogen/Lonely Island flick that might share a similar premise, we try to make sense of unions and the impending WGA strike, lots of Disney flicks get dates, Time Warner’s DC streaming service, and Amazon’s Echo Look. Plus, Jeff Goldblum in Jurassic World 2, Logan going black and white, Night Trap turns 25, M. Night’s Unbreakable sequel, what David Fincher, Damien Chazelle, Ang Lee, and Paul Verhoeven are working on next, Innaritu on VR, Abu Dhabi’s Warner Bros World, social network holidays, and deets on Netflix’s next Adam Sandler flick.
The episode in which two weeks have passed since our last recording and I have open with a horror story to explain why, we mourn Don Rickles and Charlie Murphy, MGM joins the vertical integration party, Cannes adds TV and VR content + a Palme D’or race filled with streaming titles, and my pitch to Universal for where Fast and the Furious goes next. Lots of news on upcoming projects, especially superheroes, Adam McKay, Tim Burton, and Labyrinth, how Amazon is funding its space exploration, and conversation on how our podcast makes film viewing seem like work. Plus, Facebook’s engulfing of Oculus, Netflix’s push for making Hollywood an actual movie town again, YouTube TV details/evolution of cord cutting, furthered marrying of media brands, and Jay-Z’s obnoxious battle for streaming exclusivity especially against Disney’s apparent lack of interest.
The episode in which The Academy begins fixing its accountability problem, Samsung makes a big splash with the Galaxy S8, Joss Whedon/Aaron Sorkin superhero rumors, Blumhouse may adapt Five Nights at Freddy’s, I share my breakthrough VR experience with Werewolves Within, Palmer Luckey has left Facebook/Oculus, Venice Film Festival fully embraces virtual reality. Plus the fake Seth Rogen/Evan Goldberg script that floated around town, my continued vendetta against Lee Daniels’s Terms of Endearment remake/thoughts on remake culture, and the evolution of Amazon/Twitch programming, especially versus Netflix.
The week in which I had entirely too much fun bouncing between parties so Steve recorded the show without me after a misunderstood text, Ben Affleck jumps back on the murder mystery hype train, Ocean’s Ocho might already have all-female competition, Hulu is the latest streamer to sip the Marvel kool aid, Alibaba is set to build their own theaters in China, and Uber is going to experiment with driverless cars. Plus, Adam West is back as Batman, the return of smell-o-vision, Amazon’s developing VR experiences, Varsity Blues and The Lost Boys are coming to TV, and The Jesus is Going Places.
Finding the time and money to go to the movies is harder than staying at home; however, when Netflix streams features that are on our radar its basically the best of both worlds. We begin with Steve’s darling The Little Prince (which he has now seen five times) and the Sundance selected, Juno quasi-sequel, Tallulah (26:08). Later on, my better half pleads for me to check out Sausage Party (40:00) while I do the opposite for the first season of Seth Rogen’s AMC adaptation of Preacher (43:23).
This week I decided to be a cheap jerk and make Steve catch Adam Sandler’s second Netflix exclusive, The Do-Over, as well as Seth Rogen and Evan Goldberg’s Preacher pilot (22:15). Steve caught the natural header, X-Men: Apocalypse in 3D (32:45) and last year’s Cannes standout, The Lobster (42:12). Finally, I saw another comicbook pilot in Cinemax’s Outcast (54:49) and give my impressions of Batman: Arkham Origins Blackgate (58:49).