Finding the time and money to go to the movies is harder than staying at home; however, when Netflix streams features that are on our radar its basically the best of both worlds. We begin with Steve’s darling The Little Prince (which he has now seen five times) and the Sundance selected, Juno quasi-sequel, Tallulah (26:08). Later on, my better half pleads for me to check out Sausage Party (40:00) while I do the opposite for the first season of Seth Rogen’s AMC adaptation of Preacher (43:23).
The episode in which David joins us again, Indiana Jones 5 happens, Netflix rescues The Little Prince and snags Bright, Universal did racial profiling through Facebook to promote Straight Outta Compton, M-Go has become Fandango Now, Redbox might be sold off, Regal is no longer allowing kids into R-rated films, we get deeper on our thoughts of The Screening Room, and breakdown Sony’s GDC news on Playstation VR, Vue, and a rumored PS4 upgrade. Plus, Microsoft’s Actiongram, Twitch going culinary, livestreaming mobile VR content, a movie about Michael Jackson’s chimp, another Obama movie, DC’s The Killing Joke, the Dawn of Justice Director’s Cut, Judge Judy’s salary, and Netflix staying romantic.
P.S. The image is from the We Bare Bears episode “Shush Ninjas” which totes gets us.
The week we mutually review an all time high four films together: Anomalisa (0:03:36), The Revenant (0:14:25), Slow West (0:32:28), and Mississippi Grind (0:39:41). Also on the docket are The Voices (0:50:49), Dances With Wolves (0:56:18), The Good Dinosaur – again, because I finally saw it (1:16:26), and The Computer Wore Tennis Shoes (1:31:21).
#IdBuyThatForADollar is cute to say, but sometimes you need to spell out why, so Steve and I talked it out. What follows is an in depth conversation not just about Charlie Kaufman’s latest film, but more importantly, one indebted to it. This movie will make you think. Let us know what you think about our thoughts.
A surprise, silent, spin-off, fun for the whole family treat that sadly won’t be watched by many in a year dominated by big budgets.