The episode in which 100 being the ending seems more and more realistic, lots of tryhard social network lamestars got dupped by Ja Rule and his doomed Bahamian luxury music outing and the Seth Rogen/Lonely Island flick that might share a similar premise, we try to make sense of unions and the impending WGA strike, lots of Disney flicks get dates, Time Warner’s DC streaming service, and Amazon’s Echo Look. Plus, Jeff Goldblum in Jurassic World 2, Logan going black and white, Night Trap turns 25, M. Night’s Unbreakable sequel, what David Fincher, Damien Chazelle, Ang Lee, and Paul Verhoeven are working on next, Innaritu on VR, Abu Dhabi’s Warner Bros World, social network holidays, and deets on Netflix’s next Adam Sandler flick.
As a film criticism outlet based almost entirely on the power of conversation, especially via the internet, this Palme d’Or winner raises timeless questions about the privacy of our off-air moments and the type of people possibly listening in. To say this unsung Francis Ford Coppola thriller is great is doing it a disservice by word association, you seriously have to watch this one (or perhaps let it watch you) #IdBuyThatForADollar
We return to the land of Jewison just in time for the second coming of our Easter themed spectacular. Come for Steve’s song of an opening line, true to this dialogue absent 70s rock opera, stay for our discussion of my trip to Israel, why Superman is a better version of the Jesus story, and this film’s connection to Along Came Polly.
The episode in which I try to keep this show alive by dumping Penny Thoughts back onto Dollar Reviews (and doing that weekly again via streaming titles), I make my first retractions, Superman joins Mission: Impossible, Fandango takes aim at Mondo, and Sony says goodbye to the PS3/hello again to VR as more join the fray. Steve caught up on The Edge of Seventeen, Raw, and 2014’s Beauty and the Beast; while I was enamored by Kedi, pumped out Drake’s More Life, experienced Step Up 3D within PSVR, and finally beat Sly Cooper. More importantly, Sony is making a Venom movie, Warner Bros is rebooting The Matrix, Fox is remaking The Fly, and Netflix is re-sharting pan and scan.
The episode in which we start with gun shots instead of movie shoots, talk Star Wars and its new videogames, worries about Kevin Smith moving to TV, Superman coming back to The CW, the latest on DC’s animated films, leading up to the main event: Despite its modest box office take, how much did Comcast tip the numbers in their favor. Plus, with E3 in mind, are permabans becoming the new trend in gaming, Blizzard brings livestreaming to Facebook, and Mel Gibson’s making a Passion of the Christ sequel.
Steve and I caught two massively different indie flicks from auteurs miles apart for your listening pleasure this week. The first of which is a throwback to what made Richard Linklater famous, while the second is another step down the rabbit hole for Terrence Malick (16:30). Plus Steve gives his take on Too Late (28:37), Hush (34:43), and Eye in the Sky (37:57) while I dish on Supergirl’s crossover with The Flash (41:50).
Even though he didn’t appear in the proper review, Steve joins Zane and I to dig deep into the bloated fanfare which is the DC Extended Universe’s first proper cinematic release. We’re gonna spoil this thing, from a DC fanboy perspective, you’ve been warned.
I caught a midnight screening and a guest host to get this episode out to you Friday morning because I was so excited. You’d probably hear it in my voice if this was a Batman, Superman, or Trinity film, but instead we got DC’s gritty, intellectual Iron Man 2.