The episode in which we find a new sense of purpose since we now have a Patreon supporter (!!!), Annapurna continues to make groundbreaking moves, Universal is adapting Gears of War, Hellboy is getting a reboot, and HBO is leaving Amazon Prime while working on Game of Thrones spinoffs. In bigger news (00:42:00), Charter joins Comcast in the quest for full communication exposure (via wireless), Hulu with Live TV is finally a thing, YouTube is making free shows with big stars, Twitter lands a plethora of live content, and what this all means in our evolving digital landscape. Plus, cheap beer, a Danny DeVito/Jeff Goldblum Amazon comedy, physical vs digital media collections, and Oculus takes one further step away from VR dominance (1:40:00).
The episode in which two weeks have passed since our last recording and I have open with a horror story to explain why, we mourn Don Rickles and Charlie Murphy, MGM joins the vertical integration party, Cannes adds TV and VR content + a Palme D’or race filled with streaming titles, and my pitch to Universal for where Fast and the Furious goes next. Lots of news on upcoming projects, especially superheroes, Adam McKay, Tim Burton, and Labyrinth, how Amazon is funding its space exploration, and conversation on how our podcast makes film viewing seem like work. Plus, Facebook’s engulfing of Oculus, Netflix’s push for making Hollywood an actual movie town again, YouTube TV details/evolution of cord cutting, furthered marrying of media brands, and Jay-Z’s obnoxious battle for streaming exclusivity especially against Disney’s apparent lack of interest.
The episode in which we continue TrumpWatch2017, Apocalypse Now is becoming a videogame, Square-Enix is doing the same to the Marvel Cinematic Universe, Fox has enlisted Bryan Singer for an in universe X-Men pilot, The Flash stays troubled, Predator sounds amazing, and I tried the Naked Chicken Chalupa. Also, my thoughts on The Founder, Moonlight, SportsBar VR, and Girlschool DJ night; and Steve’s on some Amazon docs, Bone Tomahawk, and I Know Who Killed Me. Plus, AT&T/Time Warner might have competition between Comcast adding cellular lines to its family and Verizon possibly buying Charter Communications, Oscar nominations, the next projects from Jeremy Saulnier and James Ponsoldt, and the first UHD Blu-ray drives are coming to PCs.
The delayed episode in which I ended up finishing things alone, where Trump is in the White House, Sundance is covered in snow, streamers make moves, Hellboy 3 might be coming, AMC Theaters continues its global dominance, Superbowl LI is streaming for free, and I review The London Heist, Black Mirror’s Playtest episode, my VR playtesting gig, and Damien Chazelle’s TCM block. Meanwhile, Steve talks Samurai Cop 2, Hell or High Water, The Magnificent 7 (2016), and Sony’s Passengers. Plus, The Terminator is returning to James Cameron, Legendary lost its CEO, Paramount gets into bed with China, things don’t look good for Sony (across TV, Film, and PSVR), Netflix seduced Jerry Seinfeld, and some VR things to close out the show.
The week in which we frequently talk about Suicide Squad between topics, Hollywood is going she-make crazy, Visionary VR’s Mindshow might be the tech’s killer app, James Ponsoldt is teaming with Disney, Amazon’s set to marathon its new Pilot Season on Twitch, Wanda bets big on IMAX and 3D in China, and Time Warner joins Hulu. Plus, we talk DVDs vs Blu-ray, Kathryn Bigelow hopping on the VR train, $3000 being the entry point for developing new tech, the true price of streaming, Japan testing 8K content, Toy Story x Vans, and George R. R. Martin’s next TV adaptation.
The episode in which we start with gun shots instead of movie shoots, talk Star Wars and its new videogames, worries about Kevin Smith moving to TV, Superman coming back to The CW, the latest on DC’s animated films, leading up to the main event: Despite its modest box office take, how much did Comcast tip the numbers in their favor. Plus, with E3 in mind, are permabans becoming the new trend in gaming, Blizzard brings livestreaming to Facebook, and Mel Gibson’s making a Passion of the Christ sequel.