Anyone who has held a camera knows glass, heaven forbid mirrors, should be avoided at all costs, and yet this acclaimed piece of Hong Kong art cinema lives within the reflections and obscurities melted sand lends to our perception of the world. I go back and forth on the why’s, landing on the nostalgic framing structure Steve missed, for this painting come to life of an era and country that have since come to pass #IdBuyThatForADollar
We’ve been nice overall when it comes to sharing our opinions of Adam Sandler’s recent offerings, not seeing the point in beating a dying horse, but after two hiccups on Netflix, Happy Madison has finally delivered something totally likeable. When that conversation trails off we split hairs over the Thor Ragnarok trailer (27:16) before doing a live reaction to the Star Wars Battlefront 2 reveal (33:51), followed by my showstopping Goodwill movie haul (37:46) and impressions of Kendrick Lamar’s DAMN (44:17). Finally Steve caught Poltergeist in 70mm (48:58) and Gods of Egypt (51:24), while I saw The Accountant (55:29) and a double bill of We Are the Best and Los Punks (59:23).
The week in which we only cover politics via SNL and Shia LaBoeuf, gamers face more delays as E3 goes public, Jay and Silent Bob are getting rebooted, several big directors have new projects, and Star Wars is landing in two big ways. I saw The Lego Batman Movie when I wasn’t busy becoming obsessed with collecting Lego Dimensions or playing Day of the Tentacle Remastered, while Steve caught Vertigo in 70mm and VR treasure, The Lawnmower Man. Plus, Apple, Facebook, and Viacom switch up their TV approaches, Halloween is getting another reboot (but we are excited about it), Jack Nicholson is coming out of hiding, the Terms of Endearment black remake, changes The Academy should make, Oculus is shuddering its demo stations, and the advent of underwater VR.
Finding the time and money to go to the movies is harder than staying at home; however, when Netflix streams features that are on our radar its basically the best of both worlds. We begin with Steve’s darling The Little Prince (which he has now seen five times) and the Sundance selected, Juno quasi-sequel, Tallulah (26:08). Later on, my better half pleads for me to check out Sausage Party (40:00) while I do the opposite for the first season of Seth Rogen’s AMC adaptation of Preacher (43:23).
This week I decided to be a cheap jerk and make Steve catch Adam Sandler’s second Netflix exclusive, The Do-Over, as well as Seth Rogen and Evan Goldberg’s Preacher pilot (22:15). Steve caught the natural header, X-Men: Apocalypse in 3D (32:45) and last year’s Cannes standout, The Lobster (42:12). Finally, I saw another comicbook pilot in Cinemax’s Outcast (54:49) and give my impressions of Batman: Arkham Origins Blackgate (58:49).