The episode in which I list the many things reporting the news prevents me from doing, Cannes continues its crybaby wanderings, Netflix and Donald Trump are the villains the media prays for, Wanda’s reformation of Legendary and enhanced exhibition business, and the rise of vertical video. In bigger news (56:00), Austin man sues his date for texting during a movie, Hollywood a major hacking target and their lack of action, Google I/O updates including standalone VR and Daydream upgrades, and Zenimax becoming the VR equivalent of a patent troll. Plus, Venom, Resident Evil, Supernatural meets Scooby Doo, social VR hubs becoming industry standard (1:58:00), Ridley Scott’s TNT block, and Mamma Mia 2!
Two Cents 082: Views Askewed
The episode in which Batfleck leaves the director’s chair, Smodcast turns 10, I forget what week it is, IMDb is abandoning its message boards, directors move around, and The CW’s DC footprint is getting bigger. Steve caught 28 Days Later on 35mm, caught up on Train to Busan, and saw I’m Not Your Negro; while I saw Manchester by the Sea, The Edge of Seventeen, and NBC’s Powerless. Plus, the UC Berkeley violent protest against free speech, Zenimax successfully sued Oculus for stealing their resources, Sony’s Playstation VR gets brighter as Sony Pictures looms in uncertainty, Snapchat grows up, and how Vizio’s spying on you might shake up FCC standards again.
Two Cents 080: Black Mirror
The delayed episode in which I ended up finishing things alone, where Trump is in the White House, Sundance is covered in snow, streamers make moves, Hellboy 3 might be coming, AMC Theaters continues its global dominance, Superbowl LI is streaming for free, and I review The London Heist, Black Mirror’s Playtest episode, my VR playtesting gig, and Damien Chazelle’s TCM block. Meanwhile, Steve talks Samurai Cop 2, Hell or High Water, The Magnificent 7 (2016), and Sony’s Passengers. Plus, The Terminator is returning to James Cameron, Legendary lost its CEO, Paramount gets into bed with China, things don’t look good for Sony (across TV, Film, and PSVR), Netflix seduced Jerry Seinfeld, and some VR things to close out the show.